During the restoration of a 17th century painting in the Rijksmuseum in Amsterdam, the Japanese Cornelia van Nijenrode steps out of her frame and begins a nocturnal conversation with the Indonesian Kirana Diah, who is restoring the painting. Across the boundaries of time and space, Mizato Mochizuki's opera, based on a libretto by Janine Brogt, brings together painting and reality, then and now, East and West. A ‘scan robot’, an artificial intelligence with its own voice, is also present at the dialogue.
Mizato Mochizuki composed her new opera, which will be staged under the direction of Jan van den Berg, especially for Ryoko Aoki. Her role of Cornelia van Nijenrode is the centrepiece of the performance about colonial relationships, the female gaze and autonomy. The term otemba (untamable), one of the many words borrowed from the Dutch language, refers to rebellious women who do not subordinate themselves and go their own way.
OTEMBA - Daring Women can be seen at the Holland Festival in the Muziekgebouw Amsterdam on 19, 20 and 21 June.
Further performances will follow in November in Utrecht, Breda, Rotterdam and The Hague.
OTEMBA - Daring Women is a production of Stichting Theater Adhoc in co-production with New European Ensemble and Holland Festival, with financial support from Fonds Podiumkunsten, Ammodo, Isaac Alfred Ailion Foundation, Amsterdams Fonds voor de Kunst and Stichting Berg & van Dalen, Erven Henk van der Geest Lichtdesigner and the Marinus Plantema Foundation.
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