Contact
Xenia Groh-Huxh@karstenwitt.com+49 30 214 594 -224
Katrin Matzke-Baazougkm@karstenwitt.com+49 30 214 594 -213
General Management
Igor Strawinsky, Concerto in D (Basel Concerto)
Wolfgang Amadeus Mozart, Symphony in G minor KV 550 No. 40
Igor Strawinsky, Concerto in E-flat "Dumbarton Oaks"
Wolfgang Amadeus Mozart, Concerto No. 4 in E flat major for horn und orchestra KV 495
Lin Liao, conductor
Zürcher Kammerorchester zko
Pascal Deuber, horn
Sofia Avramidou, Géranomachie
Enno Poppe, Speicher I
Roque Rivas, Assemblage
Mikel Urquiza, Les lueurs se sont multipliées
Ensemble intercontemporain
Ulysses Ensemble
IRCAM, computer realisation, live electronics
Lin Liao (…) presented a poised, focused presence at the podium, ramrod straight, without a baton, coaxing a wide range of colors, musical shapes, and feelings from the orchestra. Bachtrack, March 2021
The Germany-based Taiwanese conductor Lin Liao presents repertoire ranging from classical to modern with a distinctive sense of sound and a gift for dramaturgical design. Her work is characterised by a great openness to new art forms and a wide range of experience with cross-disciplinary programmes and projects.
In the current season, in addition to re-invitations from the Mozarteumorchester Salzburg and the WDR Sinfonieorchester, several ensemble projects are in her calendar: she will tour Sweden with the chamber ensemble Norbotten NEO in autumn 2022, and a Kurtág project with the Asko|Schönberg Ensemble will take her to the Muziekgebouw Amsterdam in March. She will conduct the Ensemble Contrechamps at the Festival Archipel in Geneva in April, and will be a guest at the Paris Festival ManiFeste with the Ensemble intercontemporain and the Ensemble Ulysses in July.
A highlight of the past year was her performance on the occasion of Philippe Manoury's 70th birthday. She performed his monumental spatial sound composition Ring at the Philharmonie de Paris with the Orchestre de Paris. The previous seasons were also lively despite the pandemic; Lin Liao conducted concerts and productions with the Ensemble intercontemporain, Ensemble Modern, Ensemble Ascolta, the Mozarteumorchester Salzburg, WDR Sinfonieorchester, and with the Festivalorchester of the Schleswig-Holstein Musik Festival. In addition, she conceived and developed a multimedia realisation of Karlheinz Stockhausen's Tierkreis with members of the WDR Symphony Orchestra.
As a conductor of contemporary music, Lin Liao works regularly with the most important European ensembles. She has a special relationship with the Lucerne Festival Academy, conducting them in performances of Karlheinz Stockhausen's Gruppen (2007) and Inori (2018), among others. On the 70th anniversary of the premiere of Pierre Boulez's Polyphonie X, Lin Liao conducted the first revival of the work, which Boulez withdrew after its premiere, in Lucerne at the invitation of Wolfgang Rihm. She is also a regular guest at renowned festivals such as the Ultraschall Festival Berlin, ManiFeste and Présences in Paris, Musica in Strasbourg, and the Klangspuren in Schwaz.
In the field of symphonic music, Lin Liao has conducted the Rotterdam Philharmonic Orchestra, the ORF Radio Symphony Orchestra Vienna, the Beethoven Orchestra Bonn, the Orquestra Metropolitana de Lisboa, the National Taiwan Symphony Orchestra and the Taipei Symphony Orchestra. She is also regularly involved in education projects at the Gewandhaus zu Leipzig, among others.
She developed her versatile musical theatre repertoire most recently as 1st Kapellmeister at the Schleswig-Holstein Landestheater and previously in engagements in Chemnitz and Wittenberg and as a guest at the Deutsche Oper am Rhein, the Vienna Operntheater and the Krefeld/Mönchengladbach Theatre. Among others, she conducted Tiefland, Hansel and Gretel, Die Entführung aus dem Serail, Madame Butterfly, La Cenerentola, La Traviata, Don Carlos, and Die Fledermaus. In 2008 Lin Liao conducted the world premiere of Chang-Fa Yiu's opera The Peach Blossom Fan in Taipei, featuring a vocal and instrumental ensemble from the Beijing Opera and a Western symphony orchestra. In 2013, she premiered the chamber opera Out at S.E.A., a collaborative composition by six young composers, in Budapest, with further performances in Milan, Paris, Brussels and Krakow.
Lin Liao has been realising her passion for promoting young talent since 2021 through her teaching at the Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig. Previously, she directed the Weiwuying Academy within the Contemporary Music Platform at the new National Kaohsiung Center for the Arts Taiwan, which aims to promote talented Taiwanese musicians in the field of contemporary music.
Lin Liao studied composition and piano at the Taipei National University of the Arts and subsequently completed her conducting studies at the University of Music and Performing Arts in Vienna with distinction. She received further artistic inspiration from master classes with Bernhard Haitink and Leif Segerstam, among others. Pierre Boulez and Peter Eötvös recognised the young conductor's qualities early on and entrusted Lin Liao with conducting Stockhausen's groups at the Lucerne Festival in 2007. Since then, she has enjoyed an intensive collaboration with Peter Eötvös, who invited her to several engagements including the Holland Festival in 2009, where she assisted him in the performance of the complete works of Edgar Varèse and led rehearsals with the Rotterdam Philharmonic Orchestra and the Ensemble Asko|Schönberg.
2022/23 Season
“Under the direction of conductor Lin Liao, [the musicians] find a style that is both precise and always flexible, which manages both to develop Manoury's great work and to refocus it in its liveliest moments.”
AltaMusica, Vincent Guillemin, 15.6.2022
“Lin Liao, a student of Péter Eötvös and well versed conductor of contemporary repertoire, leads the orchestra with candour and flexibility, in perfect symbiosis with Ircam electronics skilfully conceived and balanced by Carlo Laurenzi and Robin Meier.”
ConcertClassic, Pierre René Sema, 14.6.2022
"The way Lin Liao coordinates and balances the instrumental ensembles is a masterstroke. The members of the Orchestre de Paris (...) give Manoury's Ring an unprecedented splendour, marked by radiant sonorities and tireless commitment."
RESMUSICA.COM, Michèle Tosi, 10/6/2022
"The Ensemble Modern performed all of these pieces with dazzling animation, under the direction of the Taiwanese conductor Lin Liao, who has an overview of the structural whole. Throughout, the works were formally concise and captivating for their inner consistency."
FRANKFURTER RUNDSCHAU, Stefan Michalzik, 27/3/2022
"Lin Liao (…) presented a poised, focused presence at the podium, ramrod straight, without a baton, coaxing a wide range of colors, musical shapes, and feelings from the orchestra."
BACHTRACK.COM, Linda Holt, 14/3/2021
"The formidable, international twelve-piece ensemble of Lucerne Festival Alumni under the sovereign direction of Lin Liao, a native of Taiwan who lives in Germany, set the standard of interpretation here that made this atmospherically dense composition shine with characteristic instrumental colours."
NEUE ZÜRCHER ZEITUNG, Jürg Huber, 8/9/2016
Helmut Lachenmann: "Notturno", WDR Sinfonieorchester
Iannis Xenakis: "ST/48-1,240162", Basel Sinfonietta
Rebecca Saunders: "Traces", Basel Sinfonietta
Lin Liao, Isang Enders, WDR Sinfonieorchester Köln
Berlin Classics/Edel 0302768BC, 2022
KAIROS 0015101KAI
April 2022
Lin Liao, Michael Pelzel, Ensemble Ascolta
WDR 3 KulturForumWitten, 2021
Lin Liao, Anna Korsun, Ensemble Modern
WDR 3 KulturForumWitten, 2020
Ensemble of the Lucerne Festival Contemporary Orchestra, Lin Liao
Grammont Sélection, Lucerne Festival, 2016