Steven Sloane will take up the position of Music Director of the Jerusalem Symphony Orchestra at the beginning of the 2020/21 season. From October 2019 he will be Music Director Designate, leading the orchestra in three symphony concerts and begin with artistic planning. Karsten Witt took this appointment as an opportunity to take a look into the future – as well as the past....

He has taken to the stage as Charles V, as Walter Benjamin, as Prince of Homburg, and as Friedrich Hölderlin. Now, in the role of Martin Luther, Dietrich Henschel adds another heavyweight to this eclectic list of key figures from political and intellectual history. In May 2019, the baritone will take on the role of the Protestant reformer in the premiere of Bo Holten's opera Schlagt sie tot! at the Malmö Opera....

From the beginning of the 2018/19 season Bas Wiegers takes over the position of Principal Guest Conductor of Klangforum Wien from Sylvain Cambreling. For the ensemble’s 2018/19 programme, the conductor contributed an essay entitled “Some thoughts about diversity and character,” a shortened version of which we reproduce here with kind permission of Klangforum Wien. The full version is available to read in the ensemble’s blog....

The Israeli composer and conductor Noam Sheriff shaped the music life of Israel more than almost any other person. He died on 25^th August at the age of 83. Shortly before the burial in Tel Aviv, the conductor Steven Sloane spoke to Karsten Witt about his memories of the great artist and mentor to following generations of Israeli conductors for many decades....

„I get very nervous when I am making records (...) when the stage is set for the final recording and I realise that this will remain for good, my hands get tense.“ No, this isn’t Claire Huangci, who recently recorded Sergei Rachmaninov’s complete piano preludes for Berlin Classics, but rather the Russian composer himself who admitted to nerves. One of the greatest pianists of his time, Rachmaninov made landmark recordings of both his own works and music by other composers, but always had a certain mistrust of sound recordings.Nearly a hundred years later, committing any works to disc still presents its own exciting challenges. This is especially true in the case of the preludes, which are not only technically difficult, but since many of the individual works are relatively unknown, the whole cycle has been rarely recorded in its entirety. Claire Huangci confirms this: “There are a couple of favourites which everybody knows, and everybody plays. These few preludes, which Rachmaninov recorded himself, overshadow the rest of the cycle. I find this a great pity – for me, there isn’t a single prelude that is a little sub-par. Every piece is simply so unique and a small masterpiece in its own right.”...

On 1 July a world premiere at the Opera Stuttgart is hoping to be ground-breaking in the true sense of the world: Toshio Hosokawa’s Erdbeben. Träume (“Earthquake. Dreams”) is based on Heinrich von Kleist’s novella The Earthquake in Chile. Marcel Beyer, winner of the Kleist Prize in 2014 and Büchner Prize in 2016, transforms this parable about the instability of humanity in the face of threatening situations into a libretto in which the corruptibility of the masses also plays an important role. This inspired Toshio Hosokawa to create a leading role for the Staatsopernchor Stuttgart, nine-time winners of the “Opera Choir of the Year”. Intendant Jossi Wieler will bring Toshio Hosokawa’s work to the stage with director Sergio Morabito and stage design by Anna Viebrock, and with this production bids farewell to the city, as too does long-standing music director Sylvain Cambreling, who leads the premiere on the eve of his 70^th birthday....