13.12. Semperoper Dresden
13.12. Kurhaus Wiesbaden
13.12. Teatro Auditorium Trento
14.12. Musikhuset Aarhus
15.12. Herkulessaal Munich
15.12. Musikhuset Aarhus
16.12. St. Michaelis Church Hamburg
16.12. Muziekgebouw Frits Philips Eindhoven
17.12. Congresshalle, Saarbrücken
17.12. Semperoper Dresden
17.12. TivoliVredenburg Utrecht
17.12. St. Michaelis Church Hamburg
17.12. Teatro Comunale Belluno
17.12. Semperoper Dresden
17.12. Dommusik St Eberhard, Stuttgart
17.12. Evangelische Trinitatiskirche Bonn
18.12. Philharmonie Cologne
18.12. Congresshalle, Saarbrücken
18.12. Teatro comunale Città di Vicenza
19.12. Opernhaus, Halle
19.12. Finnish National Opera, Helsinki
19.12. Auditorium Giovanni Agnelli
Jan Caeyers and his orchestra, Le Concert Olympique, will make their Berlin debut on 20 November at the end of a tour that has included appearances at the deSingel in Antwerp and the Wiener Konzerthaus. Together with a trio of high-quality soloists – Till Fellner, Antje Weithaas and Maximilian Hornung, who will perform the Triple Concerto – they will present a special programme to kick off their concert series The Beethoven Experience. The title is no empty promise; these concerts will offer a unique insight into the composer’s musical universe, as Jan Caeyers explains in a video interview....
Just a matter of months after her celebrated opera Infinite Now, which was recently awarded Premiere of the Year by Opernwelt Magazine, a brand new work by Chaya Czernowin is being brought into the world. The cello concerto Guardian was performed in the closing concert of the Donaueschingen Festival on 22 October by the SWR Symphony Orchestra with soloist Séverine Ballon, who will give the work's Luxembourgian premiere on 17 November. But what does the name tell us about the piece? Does it refer to the British newspaper, or rather call to mind protecting angels? The composer laughs at these suggestions, explaining: “Sometimes names are just a source of inspiration. It might be the sound or an association that helps colour what you are doing.”...
In September Mariam Batsashvili was on concert tour in Mexico. News of the devastating earthquake on 19 September reached the pianist shortly before her first concert in Monterrey. The following personal account of her experience in Mexico is taken from a text the pianist wrote for the Keyboard Charitable Trust in London, who organised the tour....
“In Stromab the whole orchestra is sent like a boat down the great river in its dazzling diversity,” says Johannes Maria Staud about his new orchestral piece, premiered this season by three leading international orchestras. The world premiere will be given in Copenhagen by the Royal Danish Orchestra under Alexander Vedernikov, before the Wiener Symphoniker under Francois-Xavier Roth give the Austrian premiere a few weeks later. In January 2018, Stromab will find its American premiere in Cleveland under Franz-Welser Möst, followed by further concerts in in the US. Ahead of the upcoming premiere, Johannes Maria Staud talks about the finished score and its relationship to Algernon Blackwood’s short story The Willows, which the composer describes as “one of the most beautiful horror stories of all time”. The conversation with Dr. Frank Reinisch is published with the kind permission of his publisher, Breitkopf & Härtel....
Mariam Batsashvili has stunned, fascinated and touched audiences at the most renowned concert halls in Europe during her tour as a “Rising Star” of the European Concert Hall Organisation (ECHO). Now, the young Georgian pianist has just received the exciting news that she will be a BBC New Generation Artist, as part of which she will perform at major festivals and concert venues across the UK during the next two seasons. In conversation, she shares her impressions on a whirlwind few months, the magic of the classical concert, and her tips for surviving the rigours of life on tour....