Outrage is not enough: Titus Engel talks to the FAZ about conducting Bartók's only opera and about cultural politics in Corona times.

Simon Bode talks about his wanderlust for musical journeys.

Olli Mustonen talks about an early musical key experience, two new compositions and the special meaning that the Paul Hindemith Award bears for him.

Ryoko Aoki incorporates into her performances a theatrical culture that, in the past, was largely reserved for male performers.

Lukas Ligeti on artistic influences and his father's legacy.

François-Frédéric Guy, expert in romantic German repertoire and especially Beethoven's works, describes his experience as an orchestra leader from the piano as a "thrilling tightrope act".