Contact
Estefanía Monteses@karstenwitt.com+49 30 214 594-228
General Management
Born in 1992, the Danish artist, composer, and cellist Josefine Opsahl combines music, art, performance, spatial concepts, and electronics in her works. She is one of few in her generation who has succeeded in creating and refining a truly original and contemporary form of expression. With a liberating openness to all sounds and genres, Josefine unfolds her works between tradition and renewal, expertise and intuition, notation and improvisation. She incorporates her classical music training and historical knowledge, as well as her perception of art and herself, into new expressive media.
Josefine composes, curates, improvises, and performs in equal measure, expanding her musical world through collaborations with other artists, curators, and promoters. The results are commissioned works for festivals, museums, galleries, and particular occasions such as the state visit of Her Majesty the Queen of Denmark in Buenos Aires and Berlin. Her work has also appeared at the Metropolitan Museum of Art in New York, the Festival Música Estranha in Brazil, the DEIÀ International Music Festival in Spain, the Intonal Festival in Sweden, as well as in Denmark for the National Gallery, the Golden Days Festival, the Thorvaldsens Museum, and the UTZON Centre.
Her larger works include Drei Bewegungen des Elektrischen Körpers (2021) for the Copenhagen Royal Chapel Choir, the Royal Danish Ballet with choreography by artistic director Nikolaj Hübbe, and the Royal Guard Orchestra which was commissioned and premiered in honour of HM the Queen of Denmark during her state visit to Berlin in November 2021. The chamber opera DrømmeDøden (2021) was performed in May and June 2022 at the Ny Opera (premiere), at the Skuespilhuset of the Royal Theatre in Copenhagen, and at the Folkoperan in Stockholm. I Walk I Bleed (2020/21) for 10 cellos premiered at Click Festival in 2020 and was shown again at Sort/Hvid Theater Copenhagen in 2021. Noli Turbare Circulos Meos was created for Esbjerg Ensemble in 2019, and EKKLESIATERION for solo cello and quadraphonic loudspeaker arrangement was presented at Roskilde Festival and Intonal Festival in Malmö in 2021.
One of her latest projects sees Josefine collaborating with the Royal Ballet at the Royal Danish Theatre in Copenhagen - in the coming seasons she will be exploring and creating new music for the ballet there. She is also currently working on the cello concerto HANDS for Århus Sinfonietta, to be premiered at Symfonisk Sal in Aarhus at SPOT Festival in May 2023, the installation opera HJEM for Copenhagen Opera Festival 2023, and the gender-diverse opera EKKO in collaboration with Sort/Hvid Theater.
Her album releases have received critical acclaim and awards, most recently including the Round Glass Music Award (USA) and the Danish Radio P2’s Listeners’ Prize. Her solo debut album, ATRIUM, was released on Dacapo Records in August 2022. She has received a number of awards for her work, most recently The Crown Prince Couple’s Cultural Stardust Award 2022, the Léonie Sonning Talent Prize 2021, and the Odd Fellow Lodge Scholarship 2021 and the Wilhelm Hansen Foundation Honorary Scholarship 2020. Josefine Opsahl has given lectures in Shanghai, at The Royal Danish Academy of Music and The Rhyhmic Music Conservatory in Copenhagen, The Royal Danish Academy of Fine Arts and The University of Copenhagen (DK). She studied classical and contemporary cello performance at the Royal Danish Academy of Music and at Northwestern University in Illinois, USA and holds an Advanced Postgraduate Soloist degree in Contemporary Creative Art. Josefine collaborates with Edition Wilhelm Hansen for the publication of her works.
Season 2022/23
This biography is to be reproduced without any changes, omissions or additions, unless expressly authorised by the artist management.
PROJECTS FOR CELLO AND ELECTRONICS
Atrium Series of works for Solo Cello and Electronics, album out on 5 August 2022 with Dacapo Records
Ekklesiaterion work for solo cello and quadraphonic sound system Pillars for solo cello and electronics in quadrophonic sound designWorks by J.S. Bach and reflections in new works World premiere on 20 August 2022 @Stjernestunder Festival by Copenhagen Philharmonic Orchestra in Glassalen Tivoli (DK)
I Walk I Bleed choreographed work for 10 cellos repremiere at Sort/Hvid
MUSICAL THEATER
DrømmeDøden Operaby Josefine Opsahl, libretto by Merete Pryds Helle, commission from Nordic OperaFor 5 voices, violin, cello, double bass, percussion and electronics
EKKO operaNorm critical and gender diverse opera for -5-7 voices and sinfoniettapremiere at @Sort/Hvid, 2024
HJEMOpera installation for 4 voices, Solo Cello and Electronics World premiere August 2023 at the Copenhagen Opera Festival
PROJECT FOR CHOIR AND BALLET ENSEMBLE
Drei Bewegungen des Elektrischen Körpersfor choir, woodwind quintet, string quintet, 6 dancers and Josefine Opsahl as the cello soloist @Tivoli Concert Hall, June 23rd 2022. Featuring The Royal Chapel Choir, Livgardens woodwind quintet, string quintet, The Royal Danish Ballet and Josefine Opsahl as the cello soloist
PROJECT FOR SYMPHONY ORCHESTRA
HANDS Cello Concerto for Symphony Orchestra and solo celloWorld premiere with Århus Sinfonietta in collaboration with The Royal Academy of Music and Josefine Opsahl as the Cello Soloist May 2023 @Spot Festival (DK)
DIVERSE PROJECTS
Seidr commission for viola and electronicsPremiere @Helsinki Festival, Kalliosali (FI), August 27th
Relievo work for piano trio and electronics World premiere of selected movements on 9 August 2022 @Copenhagen Summer Festival, Charlottenborg (DK)
Gnister work for Mezzo Soprano, flute, cello and pianoWorld premiere June 2023 @Klang Festival, Copenhagen (DK)
“I hear an optimism, a joie de vivre. A joyfulness that also ripples through the hall in the audience’s enthusiastic applause and standing ovation after the last note. There are smiles on everyone’s faces. And there’s good reason to be happy – we’ve gotten one more solid, new Concerto for Cello and Orchestra to add to the repertoire.”
Peter Elmelund, Bibzoom, 2023
“Opsahl’s cello sound is truly beautiful; not the excessively wide one that we often encounter, but a slender and distinct expression. An expression that matches the soloist’s appearance on stage.”
“The music blasted through the hall recalling the final peak of a Hollywood film (…) where all the forces of good finally unite and triumph.”
Andreo Michaelo Mielczarek, Seimograf, 2023
“A boundary-defying recital from a remarkable Dane (…) It’s a fascinating, deeply rewarding collection of pieces that are immediately likable, but with plenty of detail and depth to repay much repeated listening.”
David Kettle, The Strad, October 2022
"Josefine Opsahl’s music resides in the zone where genre borders break down (…) evocative, hip solo cello music, at times improvisatory, that transports the listener to brisk Nordic climes (…) it’s a companionable album on which to dream on an autumnal evening."
Liam Cagney, Gramophone, August 2022
“Just like the album title can mean both outdoor space and heart chamber, Opsahl's welcoming and immersive music is both technically refined and emotionally charged at the same time.(...) Opsahl’s music derives both nourishment from rock's riffing rawness and is clearly anchored in classical compositional forms.”
Johanna Paulsson, Dagens Nyheter, 26.08.2022
“Her musical expressionism is performed beautifully, grotesquely, disharmonically and balanced (...)Atrium contains rich timbres, careful acoustic work as well as high notes that go right to the border of sensitivity and pain (…) Atrium is an aural sensory experience, a rewarding journey into Opsahl's universe.”
JULIE HUGSTED, Seismograf, 05.08.2022
“Josefine Opsahl has created an inciting and rhythmical opera. (...) It is beautiful to listen to and to watch. It is excellent! (...) It is an intense and fascinating experience! One sits back spellbound for the opera’s two hours of music – and leaves the performance with the reverberations of the music resonating for the next few days.”
Bodil Wöhnert, Ascolta Opera magazine, August 2022
"Drömdöden" is a powerful, spectacular and artistically very interesting work (…)Josefine Opsahl's music is captivating and diverse. (...)The Danish musicians, a string trio and percussion, are not only musically but also visually a success with the composer herself, Josefine Opsahl, as a Kapellmeister behind the cello."
Gunilla Brogdrej, Expressen, 20.05.2022
“Opsahl's music moves completely freely between different styles - from powerful modernism to minimalism, renaissance rave and electro-acoustic sounds for fans of industrial rock (…) An absorbing whole that makes "DrömDöden" a musical sensation.”
Johanna Paulsson, Dagens Nyheter, 20.05.2022
"The Music is rich with vividly changeable embellishments, melancholic folkloristic beauty, and surprisingly captivating, dramatic highlights. A great achievement by Josefine Opsahl (...) DrømmeDøden is a safe bet for this year's most captivating chamber opera in Denmark."
Kristeligt Dagblad (DK), 13.05.2022
“Josefine Opsahl’s performance does not leave anyone untouched. (…) It I just as exciting to look at Opsahl as it is to listen to her charismatic and dramatic music."
Hymn, Intonal Festival (SE)
“Josefine Opsahl showed how brilliantly versatile a cello can be”
Martin Huges / Hexham Courant (UK)
“Her passion is distracting; she clearly feels it. And it’s infectious –it isn’t long before you’re asking yourself why you never learned to play an instrument like that.”
Copenhagen Online Post, Roskilde Festival (DK)
“Opsahl makes a strong impact on you with her power over her cello, electronics, melody, counterpoint, and rythm. Her grand yet delicate layering of sound and movement make the music sound more like a quartet playing than a ‘one-man-band’. (…) The music sits in my body as I walk home - richer from having witnessed a big musical experience and reminded of the greatest primordial power of them all - music of course.”
Gaffa (DK)
Liquid Entity
Town Will Change Town Will Remain
Gaaer ikke Soels og Maanes Vei ned under dybe Hav?
Sonning Talent Prize 2021
Sonic Lithographies
Drei Bewegungen des Elektrischen Körpers (world premiere, live in Berlin)
I walk I bleed - from world premiere at Click Festival
DrømmeDøden (vVideo made by K:Selekt, The Danish Arts Foundation in collab. with The Royal Theatre)
DrømmeDøden - Teaser by Nordic Opera
Josefine Opsahl - live at TINY MINY Concerts 2020
Josefine Opsahl (Cello & Live Elektronik)
DaCapo, DDD, 2021
with Trine OpsahlHeart to Heart Records (DK / DE / US / Taiwan)2022
with Trine OpsahlHeart to Heart Records (DK / DE / US / Taiwan)2021
with Nikolaj Hess, Anders Christensen and Mikkel HessSunnyside Communications, 2021
with We Like We & Jakob KirgegaardSonic Pieces, 2019
with KottosOrchid, DDD, 2018
with We like WeSonic Pieces (DE), 2017
with Efterklang (DK)2016
with Trine OpsahlHeart to Heart Records (DK / DE / US / Taiwan) 2016
with KOTTOSGateway Music (DK)2016
with Trine OpsahlHeart to Heart Records (DK / DE / US / Taiwan) 2014
with We Like weThe Beeing Music, 2014