Contact
Maike Charlotte Fuchsmf@karstenwitt.com+49 30 214 594-220
Katrin Matzke-Baazougkm@karstenwitt.com+49 30 214 594 -213
General Management
Mariam Batsashvili's new solo album Influences with works by Haydn, Mozart, Beethoven and Liszt was launched by Warner Classics on 16 May.
In June 2024, Mariam Batsashvili was once again a guest at the Klavier Festival Ruhr. In a very personal interview with festival director Katrin Zagrosek in the run-up to the festival, she spoke about what composers such as Johann Sebastian Bach and Franz Liszt mean to her.
Newborns as music critics: With Liszt's Liebestraum No. 2, Mariam Batsashvili starts a series of recordings of "baby-friendly" works from the piano repertoire.
Clara Schumann, Concerto for piano and orchestra A minor op. 7
Franz Liszt, Piano concerto No.2 in A major
Ludwig van Beethoven, Symphony No. 4 in B-flat major, Op. 60
Mariam Batsashvili, piano
Szczecin Philharmonic
Anna Sułkowska-Migoń, conductor
Paul Hindemith, Konzertmusik für Streicher und Blechbläser op. 50
Richard Strauss, Also Sprach Zarathustra op. 30
Royal Liverpool Philharmonic
Domingo Hindoyan, conductor
Wolfgang Amadeus Mozart, Fantasie d-moll KV 397
Frédéric Chopin, Andante spianato et grande polonaise brillante E-flat major, Op. 22
Felix Mendelssohn Bartholdy, Rondo Capriccioso in E major, Op. 14
Franz Liszt, Rhapsodie espagnole (Spanish Rhapsody), S.254
Franz Schubert, Vier Impromptus, D. 899 (Op. 90)
Franz Liszt, Hungarian Rhapsody No. 12 S.244/12
“The sensitivity and accuracy with which she presents lyrical passages with airy lightness is breathtaking. In the Andante, one and the other's heart might even have skipped a beat as she sensitively let the melody, which then developed almost majestically, resound from the initial repeated notes. Her precise and very fine touch characterised the entire evening in the most exhilarating way, with sparkling runs and striking bass lines flowing from her fingers with such effortless ease that humour was always peeking around the corner.” Westdeutsche Allgemeine Zeitung, 4/6/2024
Charisma, brilliance, and depth of expression are qualities with which Mariam Batsashvili captivates not only live audiences worldwide. The Georgian pianist has also long secured her place among the top ranks in the recording and streaming market since signing exclusively with the major label Warner in 2019: another highlight in a steep career that has taken her to over 30 countries and the world's most important concert halls to date. Besides major musical centers like Berlin, London, Paris, or Vienna, Mariam Batsashvili is a frequent guest at international festivals such as the Klavier-Festival Ruhr, where she debuted in 2019, the Schleswig-Holstein Musik Festival, the Edinburgh International Festival, the Milan Festival Piano City, the Festival Piano aux Jacobins in Toulouse, or the Beethovenfest Bonn. Outside Europe as well, Mariam Batsashvili is one of the most sought-after interpreters of the great piano literature from Bach to late Romanticism, with her artistic path being closely linked, above all, to the name of one composer: Franz Liszt, whom she counts among the greatest influences in her life, not only musically but also intellectually and spiritually. Unquestionably, Mariam Batsashvili is one of the world's leading Liszt specialists.
Already as an 18-year-old, in 2011, Mariam Batsashvili won First Prize at the Franz Liszt Competition in Weimar with works by the versatile musical innovator. A triumph that was repeated three years later in Utrecht: Her victory at the International Franz Liszt Competition there in 2014 opened the doors to an international career for the young musician. While concurrently completing her studies at the University in Weimar, Mariam Batsashvili was part of two of the world's most exclusive young talent programs as a "Rising Star" of the European Concert Hall Organisation (ECHO) and a "BBC New Generation Artist." Venues such as the Amsterdam Concertgebouw, the Berlin Philharmonie, the Tonhalle Zürich, or London's Wigmore Hall, which she first entered back then as “one to watch”, Mariam Batsashvili now regularly returns to as an established star – often for solo recitals but frequently accompanied by renowned musical partners like the Royal Philharmonic Orchestra, the BBC Symphony Orchestra, or the Brussels Philharmonic. She has been an official Yamaha Artist since 2017.
Born and raised in the Georgian capital Tbilisi, the career aspiration of "concert pianist" was already firmly established for Mariam Batsashvili in her youth. Under Natalie Natsvlishvili, who taught her from the age of six, she not only acquired her extraordinary technical skills; it was also her revered teacher who introduced her to Franz Liszt and laid the foundation for her now outstanding and overwhelming interpretations of his works. Besides her inimitable ability to reveal the revolutionary musical content behind the virtuoso facade and make it sensually perceptible, Mariam Batsashvili owes fundamental insights into the philosophical thinking of the romantic genius to her teacher. She was able to deepen these further during her subsequent training with Grigory Gruzman in Weimar and through inspiring exchanges with Liszt experts like Leslie Howard. It is not without reason that media such as the British Observer or the “Süddeutsche Zeitung” praise Mariam Batsashvili's feel for the "inner world" and the "nonchalant poetry" of Liszt's music, highlighting her soulful playing even in the most virtuoso passages. Referring to her winning yet completely unpretentious demeanor, the trade magazine Concerti aptly described the artist early in her career as a "pianistic charm offensive from Georgia." The fact that passion and a sense of duty are combined in her person is shown simply by the fact that she was heard in the concert hall just one month before and already two months after the birth of her son.
Besides Liszt, who, along with Frédéric Chopin, also determined the program of her 2019 debut album "Chopin Liszt" on Warner, Mariam Batsashvili's passion is primarily dedicated to the significant composers of the late Baroque, Viennese Classicism, and Romanticism: a repertoire that particularly suits her outstanding touch, often highlighted as a unique selling point. She regularly receives enthusiastic reactions from audiences and the specialist press for her interpretations of the piano works of Schubert, Haydn, Mozart, Beethoven, and Brahms. In the 2024/25 season, she returned to major concert halls such as the Hamburg Elbphilharmonie, London's Wigmore Hall, the Grosses Festspielhaus in Salzburg or the BBC Proms with this repertoire. In May 2025, her new solo album “Influences” was released, featuring works by Haydn, Mozart, Beethoven and Liszt; in June, she was awarded the Liszt Biennale Thüringen's first-ever Förderpreis. In 2025/26, she will make her debut with the Royal Liverpool Philharmonic Orchestra under Domingo Hindoyan and begin a new collaboration with pianist Martin James Bartlett. The fact that Mariam Batsashvili is also very successful in the social media sphere, with over 70,000 followers, is thanks to the illustrative short tutorials on technical and performance practice issues that she has regularly provided to professional and amateur pianists on Instagram for several years. Her digitally released short albums "Lullabies" and "Encores" also gained her a wide reach online.
2025/26 season
This biography is to be reproduced without any changes, omissions, or additions, unless expressly authorised by the artist management.
J.S. Bach: Partita No. 2 C minorF. Schubert: 4 Impromptus, Op. 90F. Liszt: Hungarian Rhapsodies Nos. 11, 12, 13, 14W.A. Mozart: Sonata No. 18 K.576J. Brahms: Six Pieces for Piano, Op. 118F. Schubert: 4 Impromptus, Op. 142
(for the season of 2024/25)
“When Batsashvili does take lyricism to its extreme, it is not just about simplicity. It is more like engulfing the expression in a mystic world.“
Keskisuomalaisen, Matti Asikainen, 1/8/2025
“It’s not just that she can play all the notes, all in the right order, and at times with phenomenal speed: it’s her portrayal of the music’s essential characteristics in its kaleidoscopically changing moods, and her gloriously liquid and bell-like touch, that impress as she does it. Everything is precise, but there’s freedom, too.”
Theaterdesk.com, Robert Beale, 25 March 2025
"In addition to the explosive outbursts, the episodes of lyrical magic and charming dynamic contrasts are particularly impressive and deeply memorable. The pianist makes it very convincingly clear that this is a kind of symphonic poem for piano.“
Online Merker, Alexander Walther, 6 May 2025
„Technically masterful, Mariam Batsashvili searches for the specific characteristics of all four composers. The recording shows a pianist who weighs things up carefully. She never exaggerates - rather, she focuses on colours and nuances.”
NDR Kultur Album der Woche, Christoph Vratz, 18 May 2025
"Emotionality and virtuosity go hand in hand here, and both the soloist's great experience and technical skill are captivating. Everything is dynamic, in constant transition, so that the bold melody lines convey something exhilarating. Magical sound art at the very highest level - a masterpiece.”
kultkomplott, Jörg Konrad, 21 May 2025
“…and it was obvious from the brilliance of these performances, and the fearlessness with which she attacked the rhapsodies’ most extreme technical challenges, that she really does have a special affinity with the composer.”
Guardian, Andrew Clements, 23 January 2025
“Batsashvili not only represents a younger generation of classical musicians but also invites a fresh modern audience to, in its own way and in its own space, enjoy it.”
gracewallis, 17 April 2025
"It was obvious from the brilliance of these performances, and the fearlessness with which she attacked the rhapsodies’ most extreme technical challenges, that she really does have a special affinity with [Liszt]."
The Guardian, Andrew Clements, 23 January 2025
"Mariam Batsashvili was born for the piano. [...] Fragile and modest, yet determined and focused, gentle and kindly smiling, and at times – a volcano of energy."
7md, Daiva Tamošaitytė, 20 December 2024
"Mariam Batsashvili served this up with breathtaking ease and elegance."
Hamburger Abendblatt, Elisabeth Richter, 9 October 2024
“[...] one thing is certain: through Batsashvili Liszt speaks to a new generation.”
Pianist UK, Peter Quantrill, August/September 2020
“Her technical prowess and ability to negotiate Liszt’s showy grandeur is a given, but her sense of his inner world, his wistful, nonchalant poetry – in the Grande études in A flat or the Consolations (Pensées poétiques) or the Polish Songs after Chopin – sets her apart as one to watch.”
The Observer, Fiona Maddocks, 18 September 2019
“Mariam Batsashvili began Tchaikovsky’s Piano Concerto No. 1 in B minor powerfully – but not with violence, rather with grandeur. […] The young pianist has a superbly clear attack, and technically speaking plays perfectly, without being interested in perfection or making a show of it. No, she is interested in something quite different: in maintaining intimate contact with the accompanying orchestra, for example, not only with her playing, but also physically, with looks and gestures. She understands music making as concert-giving in the best sense – together.”
Süddeutsche Zeitung, Egbert Tholl, 13 May 2017
“With its extreme technical challenges, the work [Liszt’s Sonata in B minor] is not easily accessible for a wide audience. The night before last, however, these difficulties didn’t seem to be a hindrance, rather an incentive for the young star pianist from Georgia, who knew to emphasise to the full the expressive moments in the distinctive thundering ostinato passages.”
Heraldo de Aragón, Luis Alfonso Bes, 26 April 2017
“Batsashvili is a brilliant and imaginative musician who infuses her playing with a suggestive tension.”
Eindhovens Dagblad (The Netherlands)
Warner, 2025, 12224216
Mariam Batsashvili
Warner Classics, Aug 2019, 9222525