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On 19 February, Ryoko Aoki joined musicians from Ensemble Musikfabrik in the virtual space to perform Peter Eötvös' melodrama Secret Kiss.
Ryoko Aoki incorporates into her performances a theatrical culture that, in the past, was largely reserved for male performers.
Jamie Man, ZELLE, Wenn es dunkel wird
Ryoko Aoki, Noh singer/performer
Asko Schönberg, musical direction
Jamie Man, stage direction
Noriko Baba, hagoromo suite for Noh voice and string quartet
Doina Rotaru, Hannya for noh voice and string quartet
Younghi Pagh-Paan, Horizont auf hoher See
Ryoko Aoki holds a unique position in the field of Noh theatre as a female singer and performer. She has performed in several traditional Noh plays, historically the reserve of male actors. Above all, she is the pioneer of and inspiration for a new artistic form combining utai – traditional Noh recitation – with contemporary music. More than 50 works have been written for her by various composers including Peter Eötvös, Toshio Hosokawa, Stefano Gervasoni, José María Sánchez-Verdú and Oliver Schneller.
She has performed with ensembles and orchestras including the Royal Concertgebouw Orchestra, the Orchestra of the Maggio Musicale Fiorentino, the Ensemble Intercontemporain, the Ensemble Musikfabrik, the Remix Ensemble, the Munich Chamber Orchestra, the Arditti Quartet, the Quatour Diotima and the Hiroshima Symphony Orchestra.
In 2013, Ryoko Aoki made her debut at the Teatro Real de Madrid in Wolfgang Rihm’s opera The Conquest of Mexico in the role of Malinche, in a production directed by Pierre Audi. During the 2017/18 season Ryoko Aoki performed the world premieres of two works composed for her: Federico Gardella’s Two Souls at the Teatro del Maggio Musicale Fiorentino and Toshio Hosokawa’s Futari Shizuka (The Maiden from the Sea) with the Ensemble Intercontemporain at the Philharmonie de Paris and Kölner Philharmonie. Further performances of the work included the University of Toronto, the TTIMF Festival in Tongyeong/Korea, the Talea Ensemble in New York and the Suntory Hall Summer Festival 2021 with the Ensemble Intercontemporain.
Furthermore, she performed Peter Eötvös' Secret kiss, premiered by the Gageego Ensemble, at Konserthus Göteborg, followed by performances at Tokyo Bunka Kaikan, Casa da Música Porto with Remix Ensemble and Auditorio Nacional Madrid with Plural Ensemble. She has also performed with the Ensemble Musikfabrik at the Berlin Philharmonie and in Cologne and Budapest.
Highlights of the upcoming season include the world premiere of Jamie Man's ZELLE: Wenn es dunkel wird with LOD muziektheater, which will be performed at several houses including La Monnaie De Munt, and José María Sánchez-Verdú's new orchestra piece Hazia la Luz (sobre el poema de Parménides), which will be premiered with the Spanish National Orchestra and Choir (OCNE) at the Auditorio Nacional Madrid in February 2022.
As part of her NohxContemporary Music project, Ryoko Aoki has commissioned a series of new works for Noh voice. In 2014, she released a NohxContemporary Music recording, including Peter Eötvös’ Harakiri. During Covid-19 pandemic, she has broadcasted the online concert “HO NOH – Pray for an end to the Covid-19” as live-streaming distant session on her YouTube Channel. Ryoko Aoki obtained a BA and a Master of Music from the Faculty of Music at the Tokyo National University of Fine Art and Music with a focus on the Kanze school of Noh theatre, before gaining a Ph.D. from the University of London, School of Oriental and African Studies, with a thesis on "Women and Noh". She was appointed "Japan Cultural Envoy" by the Agency for Cultural Affairs of Japanese government in 2015 and was awarded “The Creative Tradition Prize” by the Japan Arts Foundation in 2019.
This biography is to be reproduced without any changes, omissions, or additions, unless expressly authorised by the artist management.
Futari Shizuka, The Maiden from the Sea - Toshio Hosokawa
In this short chamber opera, which is inspired by the traditional Noh play Futari Shizuka (The Two Shizukas), Toshio Hosokawa's music tells the unique story of the encounter of an ancient Japanese ghost with a present-day refugee.The libretto, written by Oriza Hirata is sung both in English and Japanese: a migrant woman, Helen (soprano), is lost on a beach shore where she meets another woman, who has been lost in the snow for nine centuries: The Ghost of Lady Shizuka. They share a tragic fate, caused by men’s wars, but their encounter might change their paths.
Works for Noh voice and Violoncello