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Kerstin Altka@karstenwitt.com+49 30 214 594-235Daniel Schumacherds@karstenwitt.com+49 30 214 594-210
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For their unique Paganini project, Carlotta Dalia and the Goldmund Quartet perform the composer’s music on his historical instruments. A first single from the recording, due for release in September, offers a taste of what’s to come.
Carlotta Dalia's album Segovia pays tribute to the pioneer of classical guitar playing and recorded on his own historical guitar.
"Don't touch" was what Carlotta Dalia heard as a child when it came to guitars. Luckily, she revolted against this order and now delights audiences with her playing on historical and modern guitars, even outside of sworn guitar circles.
Johann Sebastian Bach/Arrangement: David Russell, Wachet auf, ruft uns die Stimme, BWV 645
Johann Sebastian Bach/Arrangement: David Russell, Chorale “Jesus bleibet meine Freude” from BWV 147
Francisco Tárrega, Capricho árabe
Francisco Tárrega, Recuerdos de la Alhambra
Isaac Albéniz, Mallorca, Op. 202
Isaac Albéniz, Asturias, Op. 47 No. 5
Joaquín Turina, Sevillana, Op. 29
Mario Castelnuovo Tedesco, Capricho, Op. 195 No. 18
Mauro Giuliani, Rossiniana No. 5, Op. 123
Carlotta Dalia, guitar
Niccoló Paganini, Sonata in E minor
Giuseppe Tartini, Il Trillo del Diavolo
Heinrich Wilhelm Ernst, The last rose of summer
Mario Castelnuovo Tedesco, Siciliana from Sonatina Op. 205
Amy Beach, Romance Op. 23 (Arr. Gibboni/Dalia for violin and guitar)
Niccoló Paganini, La Campanella
Giuseppe Gibboni, violin
Joaquín Rodrigo, Concierto de Aranjuez
L'Orchestre Philharmonique de Marseille
Carlotta Dalia's playing represents the excellence of the Italian tradition – which is at the highest level – and she is on the verge of becoming a world leader in the art of the guitar. Maestro Angelo Gilardino, Suonare News
Born in Tuscany in 1999, guitarist Carlotta Dalia is attracting attention with her passionate and deep interpretations, carried by a round and powerful tone. Since giving her first solo concert at the age of twelve, she has won over 40 national and international competitions, including first prizes in Uppsala, Hong Kong, Miami, and Madrid, as well as at the International Competition Niccolò Paganini in Parma.
She has since become a regular guest on concert stages worldwide, as her past and forthcoming engagements for 2026 and 2027 illustrate: with the Royal Liverpool Philharmonic Orchestra under Domingo Hindoyan, she performed Rodrigo’s Concierto de Aranjuez, before travelling to Toronto and Montreal for recitals and to the Handel Festival in Göttingen. In the summer of 2026, she presented a Paganini programme at the Goldmund Festival in Irsee, which will be released on CD in September: on her first album with the Goldmund Quartet, she plays an Ory-Koelliker guitar associated with Paganini. Carlotta Dalia’s recital debut at the Concertgebouw in Amsterdam is scheduled for October 2026, followed by a concert with Giuseppe Gibboni in New York and a solo recital at the Homburg Master Concerts. In January, she will perform Rodrigo with the Orchestre Philharmonique de Marseille under Satoshi Yoneda, and in May, Castelnuovo-Tedesco’s Guitar Concerto No. 1 with the Orchestra del Teatro Carlo Felice in Genoa, conducted by Donato Renzetti.
Past tours have taken the guitarist to Italy, Spain, Germany, Austria, Portugal, Poland, Hungary, Sweden, Russia, Ireland, Japan, various Latin American countries, Latvia, Lebanon, the Netherlands, China and Switzerland, amongst others. With cellist Maximilian Hornung, she most recently performed in Friedrichshafen and at the Teatro Grande in Brescia. She also performs regularly in a duo with violinist Giuseppe Gibboni (winner of the 2021 Paganini Violin Competition in Genoa) – the two played, among other places, in Rome’s Quirinal Palace at the invitation of Italian President Sergio Mattarella; the concert was broadcast live on Italian radio. Over the past two concert seasons, Carlotta Dalia has performed in Norway and Brazil, as well as in Athens, Florence, Lima, Santiago de Chile, Istanbul, the Nikolaisaal in Potsdam and the Staatstheater Darmstadt. With the Swedish Chamber Orchestra, she played Mario Castelnuovo-Tedesco’s Guitar Concerto No. 1 in Uppsala.
She released her first CD Gran Solo with works by Castelnuovo-Tedesco, Scarlatti, Bach, and Sor at the age of 16. A second recording, including compositions by Bach’s contemporary Silvius Leopold Weiss, followed in 2018. In 2020, she recorded a sonatina by Angelo Gilardino dedicated to her under the title Angelus, which was released together with works by other composers; in the same year, her recording of the complete guitar works by Ida Presti appeared. For this recording she was awarded the Chitarre d'oro prize in Milan in October 2022. A solo album with works by and for Andrés Segovia, including a new composition by Enrico Melozzi, was released in spring 2025 on the Berlin Classics label, which previously signed the young guitarist.
Carlotta Dalia began playing the guitar at the age of eight and graduated with distinction in 2017 from the renowned Accademia Chigiana in Siena, where she studied with Oscar Ghiglia. She completed postgraduate studies as a student of Laura Young at the Mozarteum Salzburg in 2022 and has been a D’Addario Artist since 2016. She is supported by Classically Connected, Inc. (formerly Si-Yo Music Foundation) in New York and the Adopt a Musician Foundation in Lugano – the latter also kindly lent her the 1939 Hermann Hauser I guitar that he built for Andrès Segovia. She also performs on a Matthias Dammann 2023 guitar and a 1952 Conde Hermanos Sobrinos de Domingo Esteso flamenco guitar, the legendary “Media Luna Flamenca” model associated with Paco de Lucía. She has been a lecturer at Conservatorio “Gaetano Donizetti” (Politecnico delle Arti di Bergamo) since 2024.
Saison 2026/27
This biography is to be reproduced without any changes, omissions or additions, unless expressly authorised by the artist management.
for Guitar solo
1)
J. S. Bach: Largo and Allegro from Sonata No. 2 in A minor, BWV1003
F. Poulenc: Sarabande
I. Presti: Etude "En pensant à Bach"
I. Presti: Danse rythmique
M. Castelnuovo-Tedesco: Capriccio diabolico Op. 85
J. Rodrigo: Dos preludios
H. Villa-Lobos: 5 Preludes
2)
M. Castelnuovo-Tedesco: Tonadilla sul nome di Andrés Segovia
F. Tàrrega: Capricho àrabe
I. Albéniz: Asturias
---
C. Pdrell: Página Romantica
G. Ortiz: Sydolira
M. Castelnuovo-Tedesco: Caprichos de Goya Op. 195 XVIII
J. Turina: Fantasia Sevillana Op. 29
Duo with Giuseppe Gibboni (Violin)
N. Paganini: Sonata Concertata Op, 61
N. Paganini: Capricci No. 1, 5, 14 (violin solo)
N. Paganini, F. Tárrega: Variazioni sul carnevale di Venezia
M. Castelnuovo-Tedesco: Capriccio No. 18
A. Piazzolla: Histoire du Tango - Bordel 1900, Café 1930, Nightclub 1960
N. Paganini: La Campanella
Duo with Maximilian Hornung (Violoncello)
F. Schubert: (DUO) Sonata “Arpeggione”
E. Granados: (DUO) Romanza
— interval (optional) —
E. Granados: (DUO)
Danza española op.37 n.5 Andaluza
Danza española op. 37 n.2 Oriental
G. Cassadò: (Solo Cello) Suite for cello solo
I. Albeniz: (DUO) Còrdoba
J. Rodrigo: (Solo Guitar) Passacaglia and Zapatedo from Tres piezas Espanolas for guitar
M. De Falla: (DUO) Siete canciones populares Españolas
Duo with Nicolò Balducci (Countertenor)
Timeless Melodies
G. Paisiello: Nel cor più non mi sento
A. Caldara: Sebben crudele
F. B. Conti: Quella fiamma che m’accende
S. Landi: Passacaglia della vita
F. Schubert: Gretchen am Spinnrade, Ständchen
K. Weill: Youkali
— Pause —
J. Dowland: Oh solitude
L. Bernstein: Dream with me
H. Villa-Lobos: Bachianas brasileiras Nr. 5
M. De Falla: Siete Canciones populares Españoles
Nicolò Balducci : Sorek Artists in collaboration with Andrea Penna, Studio Cogliolo in Rome.
Quintet with Goldmund Quartett (short version possible)
N. Paganini: String quartet in A Minor, MS 20 No. 3N. Paganini: Guitar quartet No. 15, MS 42L. Boccherini: Guitar quintet No. 4 G448 „Fandango“N. Paganini: Caprice 24, arranged for guitar and string quartet N. Paganini: La Campanella, arranged for guitar and string quartet
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Flamenco Trio with Davide Prina & Yuri Santangelo
Trio Manuel de Falla: Danza del molinero (Farruca), from El sombrero de tres picos; Danza ritual del fuoco, from El amor brujo; Canción del fuego fatuo, from El amor brujo
Carlotta Dalia – solo guitarIsaac Albéniz: Mallorca (Barcarola), Op. 202; Asturias (Leyenda), from Suite española, Op. 47
Duo – Davide Prina & Yuri SantangeloJoaquín Rodrigo: Toccata for two guitars
Carlotta Dalia – solo guitarPaco de Lucía: Guajira; Panaderos Flamencos
TrioPaco de Lucía: Mediterranean Sundance; Entre dos AguasZequinha de Abreu: Tico-Tico no Fubá
“the outstanding young Italian guitarist Carlotta Dalia (…) performed the piece [Paganini’s Sonata, Op. No. 1] with heartfelt, melodious charm and great warmth – classical guitar at its very best.”
Allgäuer Zeitung, Lucia Buch, 30 June 2026
“it is precisely the artistry of the guitarist from Grosseto that is the disc’s decisive factor of excellence. (…) Particularly striking are passages to which the guitarist imbues a particular intimism, thanks to a quiet phrasing, wide-ranging and generous in tone, seemingly improvised in character but in reality perfectly calibrated to the architecture of the piece.”
Roberto Brusotti, Magazin Musica, July/August 2025
“An album like this, consistent in its design, prodigal in its fine music played divinely, renews the faith – admittedly increasingly shaky – in the possibility of the record to continue, even in the age of digital music, its long and glorious history.”
Roberto Brusotti, Magazin Musica July/August 2025
“Her clear, splendid tones, her flowing phrasing and the precise balance between melody and accompaniment are remarkable. (…) This is pure guitar poetry.”
KultKomplott, Jörg Konrad, 2 April 2025
“A wonderful repertoire. Of course, the new CD is also highly virtuosic, yet profound, with a warm sound and percussive elements. A pleasure for everyone who loves music.”
Schwäbische Zeitung, Bernd Guido Weber, 5 March 2025
“The version for violin and guitar of Paganini’s Campanella performed by Gibboni and Dalia closed the concert with fireworks of exceptional brilliance and design. There were applause and encores galore.”
Rivista Musica, Maurizio Modugno, 26 February 2023
“… rarely have I heard this Ciaccona played with such efficacy and poetry as here by Carlotta Dalia.”
Rivista Musica, Roberto Brusotti, March 2022
“Carlotta Dalia represents with her art the excellence of a tradition – the Italian one – that flies very high, preparing to become a world protagonist of the art of guitar.”
Suonare News, Angelo Gilardino, 2018
“Carlotta Dalia showed an extremely high level of technical accomplishment and musical understanding. Her tone was clear and resonant, and she projected her musical ideas clearly to the audience. We see a bright future for her on the concert stage.“
Uppsala International Guitar Competition Festival, Awarding 2017
Joaquín Rodrigo: Concierto de Aranjuez - Carlotta Dalia
Carlos Pedrell: Página Romántica - Carlotta Dalia - (Official Music Video Berlin Classics)
Zapateado by Joaquin Rodrigo | Carlotta Dalia
Tango en Skaï by Roland Dyens | Carlotta Dalia
Concerto in Do RV425 by Antonio Vivaldi | Carlotta Dalia
One day in Siena with Carlotta Dalia
Carlotta Dalia | "Ständchen" by F. Schubert arranged by J.K. Mertz | Open Strings Berlin
Carlotta Dalia | Sonata K144 by Domenico Scarlatti
Carlotta Dalia - Online Concert | Bach, Scarlatti, Piazzolla, Paganini & Tedesco
Carlotta Dalia - CLASSICAL GUITAR CONCERT - Inside a Historic Italian Villa - Omni On-Location
Francisco Tárrega's "Capricho Árabe"
F. Tárrega: Variaciones sobre "El Carnaval de Venecia" de Paganini
Breaking All the Guitar Rules! | Carlotta Dalia Interview
Berlin Classics, March 2025
dotGuitar.it, 2021, G 2111
dotGuitar.it, Nov 2020, G 2010
dotGuitar.it, Jan 2017, G 1612