Gringolts Quartet

String Quartet

Contact

Clara Rempe
+49 30 214 594 -233
cr@karstenwitt.com

Maï Handal
t +49 30 214 594 -229
mh@karstenwitt.com

General Management

IN THE MAGAZINE

In the magazine

NEW CDS

The new CD by the Gringolts Quartet received outstanding reviews and was awarded a Diapason d'or.

In the FAZ, Ilya Gringolts is portrayed as a musician with enormous stylistic range and unwavering integrity.

The Gringolts Quartet: Friends for Life

TUE 27.06.

20:00
Historischer Reitstadel Neumarkt

Biography

Ilya Gringolts, violin

Anahit Kurtikyan, violin

Silvia Simionescu, viola

Claudius Herrmann, cello

Gringolts leads his quartet with impressive selflessness, deploying his ardent but tightly focused violin tone to set the outer boundaries of the ensemble sound ... The viola player Silvia Simionescu, in particular, sounded like a kindred spirit to Gringolts, with a burnt umber tone that resembled Jonas Kaufmann’s lower register. But the Gringolts Quartet’s rhythmic drive, its translucency and its cinematic shifts from one dynamic level to another were a collective achievement; and they felt instinctive ... a performance that lays bare the full, sublime vastness of Dvorak’s imagination. The Spectator, 2021

The Zurich-based Gringolts Quartet was born from mutual friendships and chamber music partnerships that cross four countries: over the years, the Russian violinist Ilya Gringolts, the Romanian violist Silvia Simionescu, and the Armenian violinist Anahit Kurtikyan frequently performed together in various chamber formations at distinguished festivals; the German cellist Claudius Herrmann played with Anahit Kurtikyan in the renowned Amati Quartet. In the Gringolts Quartet, the four musicians inspire with their radiant, fused, and at the same time finely differentiated ensemble sound.

Highlights from past seasons include performances at the Salzburg Festival, Lucerne Festival, Edinburgh Festival, Verbier Festival, and Gstaad Menuhin Festival. They also regularly perform in international concert halls, including the Concertgebouw Amsterdam, Elbphilharmonie Hamburg, Wigmore Hall London, Philharmonie Luxembourg, Stockholm Konserthuset, Festspielhaus Baden-Baden, St. Petersburg Philharmonia, L'Auditori Barcelona, Sociedad Filarmónica de Bilbao, Lugano Musica, and Società di Concerti in Milan. In the 2022/23 season, the quartet will appear at Heidelberg Spring Festival, Mizmorim Festival Basel, as well as on tour in Germany, Italy, and Switzerland.

The musical partners of the group include artists such as Leon Fleischer, Jörg Widmann, David Geringas, Malin Hartelius, Christian Poltéra, and Eduard Brunner. Aside from classical repertoire for string quartet, they are also dedicated performers of contemporary music, including string quartets by Marc-André Dalbavie, Jörg Widmann, Jens Joneleit, and Lotta Wennäkoski.

The Gringolts Quartet has attracted attention among critics and audiences with their exquisite CD recordings of works by Robert Schumann and Johannes Brahms. Together with David Geringas, the Gringolts Quartet participated in the world premiere recording of Walter Braunfels’ quintet in 2012, which was awarded a "Supersonic Award" as well as an ECHO Klassik award. Their CD of quintets by Glazunov and Taneyev with Christian Poltéra was released in the spring of 2016 and was awarded the Diapason d’Or. Jointly with Meta4, a recording with the octets by Mendelssohn and Enescu was published by BIS in 2020 and awarded the Quarterly Prize of the German Record Critics. Also on BIS records, a CD with Schönberg's string quartets Nos. 2 and 4, praised by Klassik Heute as a "reference recording", was released in 2017, "triumphally confirmed" (Rondo, Eleonore Büning) from the release of the second volume with the quartets Nos. 1 and 3 in spring 2022, for which the quartet again received a Diapason d'Or.

The members of the Gringolts Quartet all play on rare Italian instruments: Ilya Gringolts plays a Giuseppe Guarneri "del Gesù" violin, Cremona 1742-43, on loan from a private collection. Anahit Kurtikyan plays a Camillo Camilli violin, Mantua 1733. Silvia Simionescu plays a Jacobus Januarius viola, Cremona 1660. Claudius Herrmann plays a Maggini cello, Brescia 1600. Prince Golizyn, who was a great admirer of Beethoven, gave the first performances of the composer’s last string quartets, which he commissioned, on this instrument.

2022/23 season

This biography is to be reproduced without any changes, omissions or additions, unless expressly authorised by the artist management.

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Programmes

Quartet recitals

I
P. Tchaikovsky: String Quartet No. 3
D. Shostakovitch: String Quartet No. 15

II
L. v. Beethoven: String Quartet, Op. 18/1
G. Kurtág: Microludes
A. Dvořák: String Quartet No. 5 in F minor, Op. 9

III
A. Schönberg: String Quartet No.3, Op. 30
J. Haydn: String Quartet, Op.33/2 E-flat major
A. Dvořák: String Quartet No. 13 in G major, Op. 106

IV
L. v. Beethoven: String Quartet, Op. 95
S. Veress: String Quartet No. 1
A. Dvořák: String Quartet No. 5 in F minor, Op. 9

Quartet +

Piano quintet with Dénes Várjon
S. Veress: String Quartet No. 1
B. Bartók: Piano Quintet

4+4=8 – Octet with Meta
J. Haydn: String Quartet, Op. 76 No. 1 (Gringolts Quartet)
J. Brahms: String Quartet No. 3 B-flat major, Op. 67 (Meta 4)
F. Mendelssohn: Octet, Op. 20 OR G. Enescu: Octet, Op. 7

Or both octets in one concert

Special Themes

Beethoven & Contemporary 1
L. v. Beethoven: String Quartet Op. 135 F major
L. Wennäkoski: Culla d'aria
L. v. Beethoven: String Quartet Op. 59/2 E minor

Beethoven & Contemporary 2
L. v. Beethoven: String Quartet Op. 18/6 B major
H. Dutilleux: ...ainsi la nuit
L. v. Beethoven: String Quartet Op. 59/2 E minor

Vienna
J. Haydn: String Quartet Op. 76/1 G major
J. Brahms: String Quartet No. 2, Op. 51/2
A. Schönberg: String Quartet No. 4, Op. 37

References

“Gringolts leads his quartet with impressive selflessness, deploying his ardent but tightly focused violin tone to set the outer boundaries of the ensemble sound ... The viola player Silvia Simionescu, in particular, sounded like a kindred spirit to Gringolts, with a burnt umber tone that resembled Jonas Kaufmann’s lower register. But the Gringolts Quartet’s rhythmic drive, its translucency and its cinematic shifts from one dynamic level to another were a collective achievement; and they felt instinctive ... a performance that lays bare the full, sublime vastness of Dvorak’s imagination.”

The Spectator, Richard Bratby, 4 September 2021 - on Dvoraks quartet No. 13, Op. 106

"The Gringolts Quartet play both works with absolute mastery, and it would be difficult to imagine more convincing performances. Lingering particularly in the memory is the middle section of the quasi-slow movement in the Quartet No. 1, with its radiant viola melody beautifully played by Silvia Simionescu. This is a really important release."

BBC MUSIC MAGAZINE, Misha Donat, 24/06/2022 - on Schönberg's String Quartet No. 1 in D minor Op. 7 and String Quartet No. 3 Op. 30

“This collaboration between Ilya Gringolts’ Zurich-based quartet and Finland’s Meta4 gets things right. They’re alive to every mercurial mood shift, dropping to a whisper and shedding vibrato in the development’s shadier corners. [...] The playing is incendiary. [...] Trust me – buy a copy.”

THE ARTS DESK, Graham Rickson, 27 June 2020 - on the CD with octets by Mendelssohn and Enescu with Meta4, BIS-2447

"The technical virtuosity of the Gringolts pays huge dividends for they are able to play it so accurately and with such apparent ease that what the notes describe as the “laborious details” do not get in the way of an emotionally dramatic experience. (…) Very highly recommended."

MusicWeb International, Dave Billinge, 03/06/2022 - on Schönberg's String Quartet No.3 Op.30

“An outstanding coupling.”

THE STRAD, Julian Haylock, 26 March 2020 - on the CD with octets by Mendelssohn and Enescu with Meta4, BIS-2447

“In the slow second movement, the audience experienced the magical moment when the Ensemble layered the slow sequences on top of each other with calmness and abandonment. It was as if I was watching a clockmaker who carefully assembles a clock with tweezers and love. In the concert hall, there was transcendence and quietness while the musicians let the end of the movement slowly fall into silence, note by note.“

BACHTRACK, Stefan Pillhofer, 11 July 2020 - on the CD with octets by Mendelssohn and Enescu with Meta4, BIS-2447

“The Gringolts Quartet […] brought out the extremely pointed style of this composer [Joseph Haydn] employing a slender tone with marvelous results.”

LUXEMBOURGER WORT, Johannes Schmidt, 31/01/2019

“The Gringolts Quartet lent Haydn's work a very refined and yet powerful dynamic, with differentiations notable even in the extremes. The four musicians produced a very transparent sound. [...] In the extremely rapid final movement,the musicians set off highly virtuoso fireworks.”

BNN, Karl-Heinz Fischer, 28/01/2019

“With rousing, sophisticated, and synchronous musicianship, the Haydn Quartet opened up in an almost playful manner. With confidence and focus (they play while standing), the four artists gave each phrase their own unique shading.”

SÜDWEST PRESSE, Susanne Eckstein, 26/4/2018

“There hasn’t been such a persuasive case for Schoenberg’s music for years, making this CD my new reference recording.”

KLASSIK-HEUTE, Martin Blaumeiser, 28/9/2017 - on the Schönberg CD

“Beautifully integrated sound; immaculate execution of impeccable, mature interpretations, charismatic on-stage and, above all: they are purely about the music. Striking a fine balance of profundity and humour for both Haydn and Brahms, they left their audience enraptured or tittering in all the right places. They convincingly adapted their sound to be classically vibrato-free for one then full-fat Romantic for the other.”

HERALD SCOTLAND, Svend McEwan-Brown, 12/8/2017

“Ilya Gringolts's glowing tone and liquid grace score highly. Listen to the expressive but unaffected way he handles the little cadenza at the end of Var 5. Gringolts is never more than first among equals, however, and the Quintet's sunset coda is lovingly handled, the individual strands of the texture beautifully caught in BIS's warm, transparent sound.”

GRAMOPHONE, Richard Bratby, April 2016 - about the Taneyev-Glazunov CD

“A captivating listening experience and a first-class performance: a full and at the same time deeply focused sound allows the listener to experience the pieces as if from the heart of the action.”

RONDO MAGAZIN, Michael Wersin, 06/02/2016 – on the Taneyev-Glazunov CD

“Listen to the Gringolts Quartet in the Op.51 No.2 and Op.67 Quartets and you may conclude that they’ve simply not been played right. There’s so much sensitive give and take between the four instruments here, so much intimacy and subtle variation of colour, that the feeling is these are Romantic chamber gems comparable with Schumann’s three Quartets. In the first movement of Op.67 the shifts in rhythmic patterns are handled with the kind of supple freedom even the most refined orchestral conductor could hardly match.”

BBC MUSIC MAGAZINE, Stephen Johnson, October 2014, on the Brahms-CD

“Like opening the curtains on a sunny morning, this recording throws fresh light on the familiar features of Brahms’s beguiling chamber music. The glorious Piano Quintet in F minor, Op 34, bursts with confidence, the Gringolts and Peter Laul fully conscious of its soaring, symphonic ambition.”

OBSERVER, Stephen Pritchard, 22/06/2014, on the Brahms-CD

“Gringolts and his players bring a cool, steely and achingly intense beauty to their interpretation. […] These two fascinating works are well worth getting to know: one obscure from Braunfels and the other by Strauss in an unfamiliar guise. These are deeply felt and impeccably prepared performances rendered in excellent sound: cool, clear and well balanced.”

MUSIC WEB INTERNATIONAL, Michael Cookson, 13/02/2013 on the Braunfels/Strauss-CD

“Led by the incisive Ilya Gringolts […] the Gringolts Quartet puts Schumann’s mercurial yet troubled psyche under an intense spotlight. They use every means at their disposal to draw out more disturbing elements of the quartets: the beginning of no.1 emerges as sombre as medieval plainsong, silences are full of unspoken menace. […] The more joyous moments are undimmed, with the Piano Quintet going great guns and Gringolts’s violin-playing dancing through enchantingly nuanced passagework in the finale of the Quartet no.2. […] Original, personal and beautifully played, these performances prove that there are as many facets to Schumann’s quartets as there are ensembles to play them. A different and fascinating take.”

CLASSICFM.COM, June 2012, on the Schumann-CD

“Ilya Gringolts and his friends never let the tension drop. Amplified by the acoustics of the Lutheran Church of St. Petersburg, the sound of the ensemble, led by its fiery first violinist, cannot be beat. The transparent polyphony of the first Andante espressivo, along with the clarity of the accompanying voices and the sophisticated use of tone colours, stood in direct contrast to the biting but playful scherzo, and added to the performance’s poetic appeal.”

DIAPASON, Jean Cabourg, January 2012 on the Schumann-CD

“These artists are brilliant masters of their craft. The determined moaning of the viola or cello, flanked by gently restrained violins, was full of the protagonists’ intensity and subtle phrasing.”

SÜDDEUTSCHE ZEITUNG, Udo Watter, 14/01/2012