Contact
Xenia Groh-Huxh@karstenwitt.com+49 30 214 594 -224
Estefanía Montes Menéndezes@karstenwitt.com+49 30 214 594 -228
General Management
From 15 March to 2 April, Anton Gerzenberg can be heard on a major Asian tour in Singapore, Taiwan, Shanghai and Hong Kong - in duo recitals with Lilya Zilberstein and with the Taipei Symphony Orchestra.
Anton Gerzenberg is the first awardee of the new Martha Argerich Steinway Prize.
Béla Bartók, Contrasts for Clarinet, Violin and Piano
Johannes Brahms, Trio for Violin, Horn and Piano, Op. 40
Robert Schumann, Bilder aus Osten op.66
Leoš Janáček, Concertino for piano and Ensemble
Anton Gerzenberg, piano
Lilya Zilberstein, piano
Taipei Symphony Orchestra
Frédéric Chopin, Scherzo Nr.2 op.31
Leopold Godowsky, Symphonische Metamorphosen über Themen aus J. Strauss' „Die Fledermaus"
Maurice Ravel, Valses nobles et sentimentales
Carl Czerny, Introduction, Variations brillantes et Rondeau de Chasse, op. 202
Johannes Brahms, Five Waltzes from the Sixteen Waltzes op. 39
Johannes Brahms, Sonate für zwei Klaviere f-Moll op. 34bis
Fritz Kreisler, Sergej Rachmaninow, Liebesleid & Liebesfreud
Frédéric Chopin, Waltz A major, Op. 42
Maurice Ravel, Gaspard de la Nuit
Mily Balakirev, Islamey (Fantasia oriental)
Leoš Janáček, Werke NN
Sergej Prokofjew, Selection (Mimoletnosti »Visions fugitives« op. 22) (1915–1917)
Pierre Boulez, Incises
This rich concert experience, profound musicality and brilliant piano technique have benefited his multifaceted interpretations of Liszt as much as his interpretations of Brahms, Ravel and Bartók in recital. Julia Spinola, Neue Zürcher Zeitung
Since winning first prize at the Concours Géza Anda in Zurich in 2021 and being named “Great Talent” at the Vienna Konzerthaus in 2022-24, pianist Anton Gerzenberg, born in 1996, has made a name for himself in the music world: with a wide-ranging repertoire from Sweelinck to Lachenmann, he captivates audiences with his virtuoso and sensitive playing in sophisticated programs. In June 2024 he was awarded the Martha Argerich Steinway Prize.
In addition to continuing his collaboration at the Wiener Konzerthaus, Anton Gerzenberg will be invited to the Konzerthaus Berlin, the Musikverein Vienna, the Grazer Musikverein, the Nikolaisaal Potsdam, Le Piano Symphonique Lucerne and the Ruhr Piano Festival in the 2024/25 season. In spring 2025, an extensive Asian tour will take him to Hong Kong, Taiwan, Singapore and China together with Lilya Zilberstein.
Anton Gerzenberg has already performed in numerous important concert halls around the world, such as the Tonhalle Zurich, the Elbphilharmonie Hamburg, the Franz Liszt Academy Budapest and the National Concert Hall of Taiwan, as well as at festivals such as the Schleswig-Holstein Music Festival, the Heidelberger Frühling and the Martha Argerich Festivals in Lugano and Hamburg. He has performed with the Tonhalle Orchestra Zurich, the Vienna Symphony Orchestra, the Konzerthausorchester Berlin, the Orchestre de chambre de Paris, the Lucerne Symphony Orchestra, the Musikkollegium Winterthur and the Tyrolean Symphony Orchestra, among others. His musical partners include Martha Argerich, Ilya Gringolts, Julia Hagen and Dora Schwarzberg as well as conductors such as Paavo Järvi, Stefan Blunier, Jonathan Stockhammer, Holly Hyun Choe and Nil Vendetti.
His interest in new music was particularly encouraged by his studies with the French pianist Pierre-Laurent Aimard and led him to collaborate with important composers of our time. In 2019, he founded the ÉRMA Ensemble, which specializes in contemporary music, together with other young soloists. His studies had previously led him to Julia Suslin and Julija Botchkovskaia in Hamburg and Jan Jiracek von Armin in Vienna; he also received important inspiration from Robert Levin, Alfred Brendel and Bella Davidovich.
2024/25 season
This biography is to be reproduced without any changes, omissions, or additions, unless expressly authorised by the artist management
Brahms & Chopin
Johannes Brahms: 3 Intermezzi, op. 117J. Brahms: Variations on a Theme by Paganini, op. 35 (both books)---Frédéric Chopin: 4 Mazurkas, op. 33F. Chopin: 2 Nocturnes, op. 62F. Chopin: Barcarolle, op. 60F. Chopin: Andante spianato & Grande Polonaise brillante, op. 22
Ligeti / Ravel / Debussy
György Ligeti: Études, Livre IIIClaude Debussy: EstampesG. Ligeti: Études, Livre II---Maurice Ravel: MiroirsG. Ligeti: Études, Livre I
Boulez 100
Pierre Boulez: Incises (version 2001)P. Boulez: Piano Sonata No. 2---Ludwig van Beethoven: Piano Sonata No. 29, op. 106 “Hammerklavier”
Melodies hongroises
György Kurtág: All’ongherese - Hommage à Gösta Neuwirth (from Jatékok VII) Béla Bartók: Two Elegies, op. 8b 1. Grave 2. Molto adagio, sempre rubato (quasi improvisando)György Ligeti : Etudes, Livre 1 1. Désordre 2. Cordes à vide 3. Touches bloquées 4. Fanfares 5. Arc-en-ciel 6. Automne à Varsovie---Béla Bartók: Allegro barbaro György Kurtág: …couple égyptien en route vers l’inconnu… / Double Franz Schubert / Franz Liszt: Mélodies hongroises d’après François Schubert, p. 425 1.Andante 2.Marche hongroise 3.Allegretto
"Piano soloist Anton Gerzenberg gracefully navigates through this grand work with elegant touch. The richness of colors he draws from the piano is radiant."
Markus Schramek, Tiroler Tageszeitung, 21.04.2024
"Gerzenberg was in a league of his own. He seemed in total control, armed with uncommon self-assuredness for a pianist of his age. [...] He looks every bit a potential leading light of his generation.“
James Imam, Musical America Worldwide, 16/06/21
"This rich concert experience, profound musicality and brilliant piano technique have benefited his multifaceted interpretations of Liszt as much as his interpretations of Brahms, Ravel and Bartók in recital."
Julia Spinola, Neue Zürcher Zeitung (NZZ), 06/06/21
"His {Anton Gerzenberg's} technical control is brilliant. So is his emphasis. "I wanted to be a volcanologist one day," he says later. Nothing came of it. But he channels the lava flow of Brahms' tones excellently."
Hans-Günter Fischer, Mannheimer Morgen, 10.4.24
"Prokofiev's extremely virtuosic and almost acrobatic way of writing for the piano requires a player with a steel finger and sometimes even iron fists.Gerzenberg, who played with unobtrusive ease, was perfectly up to the task and managed to bring some personal touches to a much-played concerto. Particularly admirable was the agility with which Gerzenberg moved from pearly bright fingerwork to steely strong chords and octaves."
Hannu Hirvelä, Tilaajille, 10/11/2023
"Suddenly there was a pianist on the stage who appeared as a background to the music and acted in such a way as to recognise the text of the notes in its subtlety. [...] He showed immense musicality, convincing in every nuance."
Carsten Dürer, Piano News 05/21
"...with power and brilliant technique. It allows Gerzenberg many colours and valeurs of expression to let Ligeti's infinite notes buzz, hammer, flow, sparkle - or even swing and flatter. A rousing and enriching concert experience far from the "talent" category, which one would like to see more often in "regular" concerts in such form and quality."
Stefan Musil, Die Presse, 06/06/2023
"...extravagant virtuosity ... Here [Liszt's "Années de Pélerinage: Suisse] the piano sound suddenly breaks into a hundred colours ... Despite appropriate thunder, the piece sounds thoroughly differentiated."
Peter Uehling, Berliner Zeitung, 16/05/2023