Hyung-ki Joo impressively describes his experiences as a ten-year-old at the Yehudi Menuhin School as the trigger for a lifelong quest: "I had this intense feeling that my love for classical music was unparalleled. But when I went to concerts, I felt like there was this huge gap between the joy and passion of the music and how it was being shared with the audience. Everything seemed so ceremonial, so elitist", says the pianist. "I wanted to make classical music and concerts more accessible and engaging for everyone, especially younger audiences. That’s what inspired me to do what I do, and my whole life’s dream and ambition has been to 'move the dinosaur'!"
A lifelong dream that underlies all aspects of Hyung-ki Joo's versatile work as (at least) a pianist, ensemble leader and composer and was also the driving force behind his legendary piano comedy duo Igudesman & Joo. The basis for his humour has always been a deeply serious engagement with music and a virtuosity that need not question itself. Hyung-ki Joo has also dusted off and refreshed the concert business in more recent projects (and completely beyond the ‘comedy’ category), for example with the evening A Diva is Born, staged together with soprano Asmik Gregorian, which had the effect of ‘a kind of revolution at the Vienna State Opera, full of theatrical surprises, critical satire and a lot of humour’.
As artistic director, he now also wants to give the renowned Menuhin Competition a new and contemporary look. ‘Menuhin himself was much more than just a violinist - he was a bridge between musical worlds,’ he explains. ‘He worked with jazz musicians and Indian musicians such as Ravi Shankar and even performed with Duke Ellington. He founded a school and an academy, invented Live Music Now and campaigned for human rights. With this in mind, we are looking for young violinists who want to use their talent to achieve something innovative and meaningful.’
Read the full interview with Hyung-ki Joo here.
Another extensive interview with Hyung-ki Joo was published as a video in December 2024: Carsten Dürer spoke to him for his magazine PIANONews about the end of his work with Igudesman & Joo and about repertoire that is close to his heart (in German language).
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