Dorothee Kalbhenn has made a name for herself as a specialist in holistic concert concepts. An interdisciplinary thinker with a strong creative drive, she understands the classical concert as a space for community and naturally incorporates socially relevant topics—without losing focus on the music itself.
The cultural manager served for five years as Program Director at the Konzerthaus Berlin, where she was responsible for around 150 concerts annually and established numerous new concert formats and festivals. In 2024, her project “Die Orchestergesellschaft” received the prestigious OPUS Klassik award in the category “Innovative Concert of the Year.” Prior to this, from 2011 to 2021, she was part of the team at the Elbphilharmonie and Laeiszhalle Hamburg, which opened the Elbphilharmonie in 2017, and she developed the sponsorship structure for the new venue. At the same time, she managed the chamber orchestra ensemble reflektor, with which she received the Max Brauer Prize of the Toepfer Foundation and the Ensemble Prize of the Nordmetall Foundation in 2019, and which founded the ultraBACH festival in Lüneburg.
She studied cultural studies and music at Leuphana University Lüneburg—where she continues to teach as a lecturer—and at Eastern Illinois University (USA). Her research work “Konzertprogramme” (2011) was published by Peter Lang, and her study on transculturality in the concert world (2018) by transcript Verlag.
Today, Dorothee Kalbhenn works as an artistic advisor for numerous renowned festivals, concert halls, and orchestras, including Heidelberger Frühling, Philharmonie Essen, Festspiele Mecklenburg-Vorpommern, Sommerliche Musiktage, Musikwoche Hitzacker, and the Budapest Festival Orchestra. As a systemic organizational consultant (trained at Simon Weber Friends), she supports companies in developing effective future strategies. She also regularly moderates artist talks, special concerts, and events at various festivals, concert venues, and industry conferences.