Simon Steen-Andersen's opera, which was performed with great success at the Royal Danish Opera in April and May and previously in a different version at the Opéra national du Rhin, was honoured with two prestigious Danish awards.
"A remix of opera history was transformed into both a hellish ride and a bid for the future of opera. Genre boundaries were dissolved, while the big emotions, existential considerations and doubts were maintained," was the verdict of the jury for the Reumert Prize, Denmark's national theatre award.
Simon Steen-Andersen had previously been honoured with the Carl Prisen for Don Juan's Inferno. Named after the great Danish composer Carl Nielsen, the Association of Danish Music Publishers has been honouring outstanding composers with this prize since 2013.
For Don Juan's Inferno, the Danish artist took on the concept, direction, staging, video - and the re-composition of various passages and snippets from the opera literature. His work begins where Mozart's opera ends: with the hellish journey of Don Giovanni, who embarks on a voyage into the furthest corners of the labyrinthine opera house and into the depths of music history at the same time. Or is this trip just the coma room of the opera singer who bangs his head against the trapdoor?
After another version of the work under the title Don Giovanni aux enfers has already been performed with great success in Strasbourg at the Opéra national du Rhin, the new version Don Juan's Inferno, tailor-made for the opera house in Copenhagen, was shown in Copenhagen in April and May in six performances with the Ensemble Ictus, the Royal Danish Opera Chorus and the Royal Danish Orchestra under the direction of Bassem Akiki.