Philippe Manoury is particularly interested in the pure string instrumentation because it allows for a unique interplay of textures: “Boulez once said something to me that made a big impression: when you layer woodwind instruments, it very quickly becomes opaque. But you can layer strings by dividing them infinitely; despite their density, they always retain their transparency.” The work deals with the idea of “ladders”, i.e. musical scales. “With each step on the ladder, a new expression can reveal itself, like a landscape that you gradually discover as you gain height,” explains Philippe Manoury.
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