During the restoration of a 17th-century painting at the Rijksmuseum in Amsterdam, Cornelia van Nijenrode from Japan steps out of her frame and strikes up a night-time conversation with Kirana Diah from Indonesia, who is restoring the painting. In Mizato Mochizuki's opera, based on a libretto by Janine Brogt, painting and reality, past and present, East and West meet across the boundaries of time and space. A ‘scan robot’, an artificial intelligence with its own voice, is also present during the conversation.
Mizato Mochizuki composed her new opera, directed by Jan van den Berg, especially for Ryoko Aoki. Her role as Cornelia van Nijenrode is the linchpin of the performance about colonial relations, the female gaze and autonomy. The term otemba (untameable), one of the many words borrowed by Japanese from Dutch, refers to rebellious women who refuse to submit and go their own way.
OTEMBA - Daring Women is a production by Stichting Theater Adhoc in co-production with New European Ensemble and Holland Festival, with financial support from Fonds Podiumkunsten, Ammodo, Isaac Alfred Ailion Foundation, Amsterdams Fonds voor de Kunst and Stichting Berg & van Dalen, Erven Henk van der Geest Lichtdesigner and the Marinus Plantema Foundation.
Theater Adhoc