Mariam Batsashvili

piano

contact

Maike Charlotte Fuchs

mf(at)karstenwitt.com

+49 30 214 594-220

General Management

cr Attila Kleb

Dates

09.09. 20:00
Auditorium St-Pierre-des-Cuisines

Johann Sebastian Bach,  Concerto in D minor for piano after Alessandro Marcello BWV 974
Johann Sebastian Bach (Bearbeitung: Ferruccio Busoni),  Chaconne D minor, BWV 1004
Frédérik Chopin,  Andante Spianato et Grande Polonaise Brillante Op. 22
Mel Bonis,  Selection of various works
Franz Liszt,  Après une lecture du Dante: Fantasia quasi Sonata (Années de pèlerinage - Deuxième année - Italie) S. 161/7

Mariam Batsashvili, piano

19.09. 20:30
Sala Beethoven, Monterrey

Johann Sebastian Bach,  Concerto in D minor for piano after Alessandro Marcello BWV 974
Franz Liszt,  Sarabande and Chaconne from 'Almira' by Händel S 181
Frédérik Chopin,  Andante Spianato et Grande Polonaise Brillante Op. 22
Franz Liszt,  Sonata in B minor S 178

Mariam Batsashvili, piano

20.09. 20:30
El Teatro Isauro Martinez, Torreon

Johann Sebastian Bach,  Concerto in D minor for piano after Alessandro Marcello BWV 974
Franz Liszt,  Sarabande and Chaconne from 'Almira' by Händel S 181
Frédérik Chopin,  Andante Spianato et Grande Polonaise Brillante Op. 22
Franz Liszt,  Sonata in B minor S 178

Mariam Batsashvili, piano

29.09. 18:00
Palazzi de’ Pizzini, Ala

Franz Liszt,  Die Lorelei, S532
Franz Liszt,  Bénédiction de Dieu dans la solitude
Franz Liszt,  Sarabande and Chaconne from 'Almira' by Händel S 181
Franz Liszt,  Sonata in B minor S 178

Mariam Batsashvili, piano

12.10. 20:00
Residenz Munich

Johann Sebastian Bach (Bearbeitung: Ferruccio Busoni),  Chaconne D minor, BWV 1004
Wolfgang Amadeus Mozart,  Rondo a-moll KV 511
Frédérik Chopin,  Andante Spianato et Grande Polonaise Brillante Op. 22
Franz Schubert,  Impromptu f-Moll op.142, Nr. 1, D 935
Franz Liszt,  Fantasy on themes from Mozart's Le nozze di Figaro and Don Giovanni S697 (completed by Leslie Howard)

Mariam Batsashvili, piano

Biography

Oh, what a wonderful, majestic beginning. Mariam Batsashvili began Tchaikovsky’s Piano Concerto No. 1 in B minor powerfully – but not with violence, rather with grandeur. (…) The young pianist has a superbly clear attack, and technically speaking plays perfectly, without being interested in perfection or making a show of it. No, she is interested in something quite different: in maintaining intimate contact with the accompanying orchestra, for example, not only with her playing, but also physically, with looks and gestures. She understands music making as concert-giving in the best sense – together. SÜDDEUTSCHE ZEITUNG, Egbert Tholl, 13.5.2017

At just 24 years old, Mariam Batsashvili already ranks among the most promising young pianists of her generation. She gained international recognition at the 10th Franz Liszt Piano Competition in Utrecht 2014, where she won First Prize as well as the Junior Jury Award and the Press Prize. “Winner Batsashvili turns every phrase into something special”, headlined Dutch newspaper NRC Handelsblad, and the international Jury called her a “complete artist” with a “tremendous touch” and “sincere emotion”.

Following this success, she gained her first experiences with leading symphony orchestras, including the Dutch Radio Philharmonic Orchestra under the baton of James Gaffigan in the Concertgebouw Amsterdam (Liszt Piano Concerto No. 1), the Rotterdam Philharmonic Orchestra under Rafael Payare (Tchaikovsky Piano Concerto No. 1) and the Brussels Philharmonic Orchestra (Saint-Saëns Piano Concerto No. 2). Mariam has also given recitals in more than 30 countries – among these China, South Korea, Indonesia, Brazil, the United States, South Africa, France, Spain, Norway, the Baltic countries, Benelux and Germany.  She has been the guest of many international festivals, such as the Beethovenfest Bonn, Pianofortissimo Festival Bologna and the Delft Chamber Music Festival.

Mariam Batiashvili was nominated by the European Concert Hall Organisation (ECHO) as ‘Rising Star’ for the 2016/17 season, and performed in the most significant concert halls throughout Europe, including the Philharmonies of Paris, Cologne and Luxembourg, the Vienna Musikverein, the Palais des Beaux-Arts in Brussels, the Müpa Budapest, L’Auditori in Barcelona, the Stockholm Concert Hall, the Southbank Centre in London, the Elbphilharmonie Hamburg, and returned to the Concertgebouw Amsterdam. She was enthusiastically received at London’s Wigmore Hall and gave her debut at the Piano City festival in Milan. She performed Tchaikovsky’s Piano Concerto No. 1 with the Wurttemberg Philharmonic Orchestra Reutlingen under Norichika Iimori in Munich’s Herkulessaal, and Clara Schumann’s Piano Concerto with the Orchestre Dijon Bourgogne under Gábor Takács-Nagy. This summer, she will give her debut performances at the Piano aux Jacobins festival in Toulouse as well as the festivals in Schleswig-Holstein and Mecklenburg-Vorpommern, and will perform Rachmaninov’s Piano Concerto No. 2 with the Staatskapelle Weimar under Kirill Karabits.

The pianist’s 2017/18 season is also peppered with exciting debuts. As well as giving performances at the Philharmonic halls of St Petersburg and Berlin, she will appear at the Tonhalle Zurich and London’s Wigmore Hall, and performs Mozart’s Piano Concerto No. 23 K 488 with the MDR Symphony Orchestra, the Orchestre National de Belgique and the Wurttemberg Chamber Orchestra Heilbronn. Her touring schedule sees her appearing in countries including Mexico and the USA, and at the Rheingau Musikfestival she will give her first performance of Bach’s Goldberg Variations.

Born 1993 in Tbilisi, Georgia, Mariam Batsashvili first studied with Natalia Natsvlishvili at the E. Mikeladze Central Music School in her hometown, before continuing at the Hochschule für Musik Franz Liszt in Weimar with Professor Grigory Gruzman. In 2011 she won First Prize at the International Franz Liszt Competition for Young Pianists in Weimar, and received the prestigious Arturo Benedetti Michelangeli Award in 2015. Mariam Batsashvili is a scholarship holder of the Deutsche Stiftung Musikleben. She has been an official Yamaha Artist since 2017.

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Reviews

Mariam Batsashvili began Tchaikovsky’s Piano Concerto No. 1 in B minor powerfully – but not with violence, rather with grandeur. (…) The young pianist has a superbly clear attack, and technically speaking plays perfectly, without being interested in perfection or making a show of it. No, she is interested in something quite different: in maintaining intimate contact with the accompanying orchestra, for example, not only with her playing, but also physically, with looks and gestures. She understands music making as concert-giving in the best sense – together.
Süddeutsche Zeitung, Egbert Tholl, 13/5/2017

With its extreme technical challenges, the work (Liszt’s Sonata in B minor) is not easily accessible for a wide audience. The night before last, however, these difficulties didn’t seem to be a hindrance, rather an incentive for the young star pianist from Georgia, who knew to emphasise to the full the expressive moments in the distinctive thundering ostinato passages.
Heraldo de Aragón, Luis Alfonso Bes, 26/4/2017

The competition can consider itself fortunate with a winner like Mariam Batsashvili. For her natural and poignant interpretations, charismatic appearance and a tone quality rarely heard among virtuosos.
The Pianist (United Kingdom)

Batsashvili is a brilliant and imaginative musician who infuses her playing with a suggestive tension.
Eindhovens Dagblad (The Netherlands)

A spectacular performance of Tchaikovsky first concerto (..) showed her technical AND musical superiority.
Trouw (The Netherlands)

One of the pianists that I am looking forward to hearing again. Her performance was very sensitive. It felt as if she could transmit her musical thoughts very well.
Chopin magazine (Japan)

She send out so many otherworldly aesthetic moments in her playing, and all come naturally. The spirit of Liszt gracefully immersed in her interpretation.
Piano Artistry (China)
 

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Repertoire

Orchestra Repertoire

L. v. Beethoven Piano Concerto No. 3 C minor op. 37
Piano Concerto No. 5 E-flat major op. 73
Fantasy for piano, choir and orchestra C minor op. 80
Rondo for piano and orchestra B-flat major WoO6
F. Chopin Piano Concerto No. 2 F minor op. 21
F. Liszt Piano Concerto No. 1 E-flat major S. 124
Hungarian Fantasy for piano and orchestra S. 123
Malédiction' for piano and string orchestra S. 121
E. Lomdaridze Piano Concerto "Imeruli"
W. A. Mozart Piano Concerto No. 20 D minor KV 466
Piano Concerto No. 21 C major KV 467
C. Saint-Saëns Piano Concerto No. 2 G minor op. 22
C. Schumann Piano Concerto A minor op. 7
R. Strauss Parergon Sinfonia Domestica for Piano (Left Hand) & Orchestra Op.73
P. Tschaikowski Piano Concerto No. 1 B-flat minor op. 23
X. Xian Piano Concerto "Yellow River"
more...

Solo Repertoire

V. Azarashvili Nostalgia
Improvisation
J. S. Bach Prelude and Fugue No. 2 in c minor BWV 847
Prelude and Fugue No. 5 in D major BWV 850
Prelude and Fugue No. 15 in G major BWV 884
English Suite No. 3 in G minor BWV 808
Chromatic Fantasia and Fugue D minor BWV 903
A. Marcello / J. S. Bach Concerto in D Minor BWV 974
J. S. Bach / F. Busoni Chaconne in D minor BWV 1004
B. Bartók Allegro barbaro BB 63
L.v. Beethoven Piano Sonata No. 1 in E dur op. 14
Piano Sonata No. 14 C-sharp minor op. 27/2 'Moonlight'
Piano Sonata No. 21 C major op. 53 'Waldstein'
Piano Sonata No. 23 F minor op. 57 'Appassionata'
Rondo a capriccio for piano G major op. 129
C. Czerny Etudes 'The School of Velocity' op. 299
Etudes 'The Art of Finger Dexterity' op. 740 (selection)
F. Chopin Ballade No. 1 G minor op. 23
Etudes op. 10 No. 2, 4, 5, 8 and 12
Etude op. 25 No. 12
Andante Spianato and Grande Polonaise Brilliante E-flat major op.22
Nocturne No. 4 F major op. 15/1
Waltz No. 5 A-flat major op. 42
Waltz No. 1 D-flat major op. 64 'Minute Waltz'
more...
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Media Centre

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