Mariam Batsashvili

piano

contact

Maike Charlotte Fuchs

mf(at)karstenwitt.com

+49 30 214 594-220

Lisa Böttcher

lb(at)karstenwitt.com

+49 30 214 594-226

General Management

cr Attila Kleb

Dates

18.06. 13:00
Niedersächsische Sparkassenstiftung Hanover

Johann Sebastian Bach,  Chromatische Fantasie und Fuge d-Moll BWV 903
Joseph Haydn,  Klaviersonate D-Dur op. 30 Nr. 3 (Hob XVI:37)
Maurice Ravel,  Sonatine pour piano
Franz Liszt,  Hungarian Rhapsody No. 12 S.244/12

Mariam Batsashvili, piano

22.06. 19:30
The Lichi Theater Nanjing

Johann Sebastian Bach,  Goldberg variations BWW 988

Mariam Batsashvili, piano

23.06. 19:30
Xiamen Banlam Grand Theatre

Johann Sebastian Bach,  Goldberg variations BWW 988

Mariam Batsashvili, piano

29.06. 19:30
Wuhan Qintai Concert Hall

Clara Schumann,  Concerto for piano and orchestra A minor op. 7
Franz Liszt,  Piano Concerto No. 1 E-flat major

Mariam Batsashvili, piano

05.07. 20:30

Ludwig van Beethoven,  Piano Concerto No. 5 E-flat major, Op. 73

Mariam Batsashvili, piano
Orquesta Sinfónica de Tenerife

13.07. 20:00
LWL-Industriemuseum Zeche Zollern

Johann Sebastian Bach,  Chromatic Fantasia and Fuge D minor, BWV 903
Franz Liszt,  Douze Grandes Études S. 137 No. 10
Franz Liszt,  Consolations, S.172
Franz Liszt,  Rhapsodie espagnole (Spanish Rhapsody), S.254
Franz Liszt,  Bénédiction de Dieu dans la solitude, S173
Frédérik Chopin,  Etüde C-Dur op.10, Nr.1
Franz Liszt,  Douze Grands Études S. 137 No. 9
Frédérik Chopin,  Etüde a-Moll op.10, Nr.2
Frédérik Chopin,  Etüde cis-Moll op.10, Nr.4

Mariam Batsashvili, piano

19.07. 19:00
Sumida Triphony Hall, Tokyo

Camille Saint-Saens,  Klavierkonzert Nr. 2 g-moll

Mariam Batsashvili, piano
New Japan Philharmonic
Toshiyoki Kamiyoka, conductor

18.08. 19:30
Royal Albert Hall, London

Clara Schumann,  Concert for piano and orchestra in A minor, Op. 7

Mariam Batsashvili, piano
Ulster Orchestra

16.09. 19:30
Stratford Play House

Johann Sebastian Bach,  Chromatic Fantasia and Fuge D minor, BWV 903
Franz Liszt,  Douze Grandes Études S. 137 No. 10
Franz Liszt,  Consolations, S.172
Franz Liszt,  Rhapsodie espagnole (Spanish Rhapsody), S.254
Franz Liszt,  Bénédiction de Dieu dans la solitude, S173
Frédérik Chopin,  Etüde C-Dur op.10, Nr.1
Franz Liszt,  Douze Grands Études S. 137 No. 9
Frédérik Chopin,  Etüde a-Moll op.10, Nr.2
Frédérik Chopin,  Etüde cis-Moll op.10, Nr.4

Mariam Batsashvili, piano

Biography

Mariam Batsashvili began Tchaikovsky’s Piano Concerto No. 1 in B minor powerfully – but not with violence, rather with grandeur. (…) The young pianist has a superbly clear attack, and technically speaking plays perfectly, without being interested in perfection or making a show of it. No, she is interested in something quite different: in maintaining intimate contact with the accompanying orchestra, for example (…) She understands music making as concert-giving in the best sense – together.

Süddeutsche Zeitung, Egbert Tholl, 13.5.2017

At just 25 years old, Mariam Batsashvili already ranks among the most promising young pianists of her generation. She gained international recognition at the 10th Franz Liszt Piano Competition in Utrecht 2014. With the start of the 2017/18 season, she became a BBC Radio 3 New Generation Artist and has already made her debuts at the Cheltenham Festival, with the BBC Symphony Orchestra, with the BBC National Orchestra of Wales and the Ulster Orchestra as part of the scheme. In August 2019, she will make her BBC Proms debut.

Mariam Batsashvili already gained her first experiences with leading symphony orchestras, including the Royal Philharmonic Orchestra under Alexander Shelley (Liszt Piano Concerto No. 1), the Dutch Radio Philharmonic Orchestra under the baton of James Gaffigan in the Concertgebouw Amsterdam (Liszt Piano Concerto No. 1), the Rotterdam Philharmonic Orchestra under Rafael Payare (Tchaikovsky Piano Concerto No. 1), the Brussels Philharmonic Orchestra (Saint-Saëns Piano Concerto No. 2) and the MDR Symphony Orchestra under Dmitry Liss (Mozart Piano Concerto No. 23 K.488). She has also given recitals in more than 30 countries – among these China, South Korea, Indonesia, Brazil, South Africa, France, Spain, Norway, the Baltic countries, Benelux and Germany.  She has been the guest of many international festivals, such as the Beethovenfest Bonn, the Schleswig-Holstein Music Festival, the Piano City festival in Milan and the Piano aux Jacobins festival in Toulouse.

She was nominated by the European Concert Hall Organisation (ECHO) as ‘Rising Star’ for the 2016/17 season, and performed in the most significant concert halls throughout Europe. Last season, she gave performances at the Philharmonic Hall of St Petersburg, the Tonhalle Zürich, the Mozarteum Salzburg and the Wigmore Hall and made her acclaimed debut at the Philharmonie Berlin as part of the series “Debüt im Deutschlandfunk Kultur”.

Born 1993 in Tbilisi, Georgia, Mariam Batsashvili first studied with Natalia Natsvlishvili at the E. Mikeladze Central Music School in her hometown, before continuing at the Hochschule für Musik Franz Liszt in Weimar with Professor Grigory Gruzman. In 2011 she won First Prize at the International Franz Liszt Competition for Young Pianists in Weimar, and received the prestigious Arturo Benedetti Michelangeli Award in 2015. Mariam Batsashvili is a scholarship holder of the Deutsche Stiftung Musikleben and is supported by The Keyboard Charitable Trust. She has been an official Yamaha Artist since 2017. August 2019 sees the release of her first album for Warner Classics.

Please note Mariam Batsashvili's new homepage: https://www.mariam-piano.com/

2018/2019 season

This biography is to be reproduced without any changes, omissions or additions, unless expressly authorised by the artist management.

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Reviews

Mariam Batsashvili began Tchaikovsky’s Piano Concerto No. 1 in B minor powerfully – but not with violence, rather with grandeur. (…) The young pianist has a superbly clear attack, and technically speaking plays perfectly, without being interested in perfection or making a show of it. No, she is interested in something quite different: in maintaining intimate contact with the accompanying orchestra, for example, not only with her playing, but also physically, with looks and gestures. She understands music making as concert-giving in the best sense – together.
Süddeutsche Zeitung, Egbert Tholl, 13/5/2017

With its extreme technical challenges, the work (Liszt’s Sonata in B minor) is not easily accessible for a wide audience. The night before last, however, these difficulties didn’t seem to be a hindrance, rather an incentive for the young star pianist from Georgia, who knew to emphasise to the full the expressive moments in the distinctive thundering ostinato passages.
Heraldo de Aragón, Luis Alfonso Bes, 26/4/2017

The competition can consider itself fortunate with a winner like Mariam Batsashvili. For her natural and poignant interpretations, charismatic appearance and a tone quality rarely heard among virtuosos.
The Pianist (United Kingdom)

Batsashvili is a brilliant and imaginative musician who infuses her playing with a suggestive tension.
Eindhovens Dagblad (The Netherlands)

A spectacular performance of Tchaikovsky first concerto (..) showed her technical AND musical superiority.
Trouw (The Netherlands)

One of the pianists that I am looking forward to hearing again. Her performance was very sensitive. It felt as if she could transmit her musical thoughts very well.
Chopin magazine (Japan)

She send out so many otherworldly aesthetic moments in her playing, and all come naturally. The spirit of Liszt gracefully immersed in her interpretation.
Piano Artistry (China)
 

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Repertoire

Orchestra Repertoire

L. v. Beethoven Piano Concerto No. 3 C minor, Op. 37
Piano Concerto No. 5 E-flat major, Op. 73
Fantasy for piano, choir and orchestra C minor, Op. 80
Rondo for piano and orchestra B-flat major, WoO6
F. Chopin Piano Concerto No. 2 F minor, Op. 21
F. Liszt Piano Concerto No. 1 E-flat major, S. 124
Hungarian Fantasy for piano and orchestra, S. 123
Malédiction' for piano and string orchestra, S. 121
E. Lomdaridze Piano Concerto "Imeruli"
W. A. Mozart Piano Concerto No. 20 D minor, K.466
Piano Concerto No. 21 C major, K.467
Piano Concerto No. 23 A major, K.488
C. Saint-Saëns Piano Concerto No. 2 G minor, Op. 22
C. Schumann Piano Concerto A minor, Op. 7
R. Strauss Parergon Sinfonia Domestica for Piano (Left Hand) & Orchestra, Op.73
P. Tschaikowski Piano Concerto No. 1 B-flat minor, Op. 23
X. Xian Piano Concerto "Yellow River"

Solo Repertoire

V. Azarashvili Nostalgia
Improvisation
J. S. Bach Prelude and Fugue No. 2 in c minor BWV 847
Prelude and Fugue No. 5 in D major BWV 850
Prelude and Fugue No. 15 in G major BWV 884
English Suite No. 3 in G minor BWV 808
Chromatic Fantasia and Fugue D minor BWV 903
A. Marcello / J. S. Bach Concerto in D Minor BWV 974
J. S. Bach / F. Busoni Chaconne in D minor BWV 1004
B. Bartók Allegro barbaro BB 63
L.v. Beethoven Piano Sonata No. 1 in E dur op. 14
Piano Sonata No. 14 C-sharp minor op. 27/2 'Moonlight'
Piano Sonata No. 21 C major op. 53 'Waldstein'
Piano Sonata No. 23 F minor op. 57 'Appassionata'
Rondo a capriccio for piano G major op. 129
C. Czerny Etudes 'The School of Velocity' op. 299
Etudes 'The Art of Finger Dexterity' op. 740 (selection)
F. Chopin Ballade No. 1 G minor op. 23
Etudes op. 10 No. 2, 4, 5, 8 and 12
Etude op. 25 No. 12
Andante Spianato and Grande Polonaise Brilliante E-flat major op.22
Nocturne No. 4 F major op. 15/1
Waltz No. 5 A-flat major op. 42
Waltz No. 1 D-flat major op. 64 'Minute Waltz'
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Media Centre

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