Contact
Yan Dribinskyyd@karstenwitt.com+49 30 214 594-230
General Management
Joey Roukens, Concerto pour percussions
Camille Saint-Saëns, Concerto for violoncello and orchestra No. 1 in A minor op. 33
Felix Mendelssohn Bartholdy, Piano concerto No. 1 g minor op. 25
Felix Mendelssohn Bartholdy, Violinkonzert Nr. 2
Camille Saint-Saëns, Introduction and Rondo Capriccioso A minor, Op. 28
Roland Kluttig, conductor
Marcus Caratelli, Minutenstück
Richard Wagner, The Symphonic Ring
Stuttgarter Philharmoniker
Carola Bauckholt, Atempause
Wolfgang Amadeus Mozart, Konzert für Horn und Orchester Nr. 2 KV 417
Anton Bruckner, Symphony No. 4 E-flat Major "Romantic"
Philharmonisches Orchester Freiburg
Peter Tschaikowsky, Eugene Onegin
Wermland Opera Karlstad
Mieczysław Weinberg, The Passenger
Staatskapelle Weimar
Raquel García-Tomás, Blind Contours no. 2 (2022)
Keiko Abe, Prism Rhapsody (1996)
Dmitri Schostakowitsch, Scherzo Nr. 1 fis-Moll op. 1
Peter Tschaikowsky, Fantasy - Overture "Romeo and Juliet"
Dmitri Shostakovich, Scherzo Nr. 2 Es-Dur op. 7
Maurice Ravel, Rhapsodie espagnole
Astor Piazzolla, Aconcagua - concerto for bandoneon and string orchestra
Isaac Albéniz, Tango
Jean Sibelius, Symphony No. 2
Per Arne Glorvigen, Bandoneon
Robert-Schumann-Philharmonie Chemnitz
As "one of the few conductors in the world who performs the newest music as adeptly as Beethoven, Wagner, and Sibelius" (Frankfurter Allgemeine Zeitung), Roland Kluttig can be experienced on international stages in opera and concert with a wide-ranging repertoire. A particular focus of his work are the compositions of Schumann, Wagner, Berg, Debussy, Janáček, and Sibelius.
Following his highly successful recent engagements, including the first staged production of Die Walküre at the Greek National Opera and a new production of Alban Berg’s Wozzeck at the Aalto Theater in Essen, this season also brings exciting opera and concert performances. He will conduct a new production of Mieczysław Weinberg’s opera The Passenger at the Deutsches Nationaltheater Weimar, directed by the duo Jossi Wieler and Sergio Morabito. Further invitations will take him to the ORF Radio-Symphonieorchester Wien, where he will conduct Bruckner’s Fourth Symphony, and to the Philharmonisches Orchester Freiburg. He will also return to the Stuttgarter Philharmoniker to conduct Wagner’s Ring in a symphonic version in one evening, as well as to Chemnitz, the current European Capital of Culture, where he will lead the Robert-Schumann-Philharmonie in a performance of Sibelius’ Second Symphony.
From 2020 to 2023, Roland Kluttig served as Chief Conductor of the Oper Graz, where he led critically acclaimed productions of Dukas’ Ariane et Barbe-Bleue and Szymanowski’s Król Roger. Notable highlights of his tenure include the Austrian premiere of Georg Friedrich Haas' opera Morgen und Abend, as well as performances of Wagner’s The Flying Dutchman and Janáček’s Katja Kabanova. His concerts with the Grazer Philharmoniker at the Musikverein Graz and the Konzerthaus Wien were also significant achievements. In 2021, his conducting of Morton Feldman’s Neither at the Salzburg Festival with the ORF Radio-Symphonieorchester Wien was hailed in the press as a "moment of brilliance."
During his time as General Music Director at the Landestheater Coburg (2010 - 2020), productions of Wagner's Lohengrin and Parsifal attracted national interest. He was nominated as Conductor of the Year by Opernwelt magazine for his conducting of Beethoven's Fidelio. Since 2000, he has enjoyed a close collaboration with the Stuttgart State Opera. Among other things, he brought out the spectacular new production of Strauss' Salome there in 2015 and a new production of Mozart's The Marriage of Figaro in 2019.
Roland Kluttig has also been invited as a guest conductor at the Frankfurt Opera (Euryanthe) the Hamburg State Opera (Die tote Stadt) the Leipzig Opera, the Mannheim National Theater, the Opéra Nice Côte d'Azur, the Opéra national du Rhin, the Swedish Norrlandsoperan (Wozzeck and Peter Grimes). He also maintains a long-standing relationship with Wermland Opera in Sweden, where he currently serves as Artistic Advisor. In the concert field, he has worked with the Philharmonia Orchestra London, Seoul Philharmonic Orchestra, Orchestre Philharmonique du Luxembourg, Prague Philharmonia, Deutsches Symphonie-Orchester Berlin, Rundfunk-Sinfonieorchester Berlin, Konzerthausorchester Berlin, Bavarian Radio Symphony Orchestra, Stuttgart State Orchestra, hr-Sinfonieorchester, and many others.
His recordings of Schoenberg's Moses und Aron with the Stuttgart State Opera and Weinberg's The Passenger with the Graz Opera received very positive reviews in the international press. He has also recorded works by less prominent composers whose music is close to his heart, including Erwin Schulhoff with the DSO Berlin and Silvestre Revueltas with the Kammerensemble Neue Musik Berlin, of which he was Musical Director in the 1990s. Roland Kluttig studied in Dresden and has been sponsored by the Eötvös Institute, the Conductors' Forum of the German Music Council, the Akademie Schloss Solitude and the Herbert von Karajan Foundation.
Season 2024/25
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"Guest conductor Roland Kluttig succeeds in discreetly promoting the good flow of the orchestra. He ensures clarity of structure with clear tempi and occasional accentuation of individual voices or groups and otherwise never succumbs to the obvious temptation to act like a sound magician. The fact that the magic arises from a certain sobriety only makes it all the greater.....What has happened here is greater than the work of a single musician can be."
Hannoversche Allgemeine Zeitung, November 2023
"What makes the outwardly austere, inwardly rich performance a stroke of luck is the high musical quality provided by Roland Kluttig on the podium. Kluttig not only restores the dramaturgically harsher original version of the final act and adopts the much livelier tempi from Tchaikovsky's score - autograph, he breathes the music throughout with a harsher, more natural, less operatic tone, as befits the ‘lyrical scenes’."
Opernwelt, November 2023, Uwe Schweikert
"A great farewell from Graz....Together with Philippe Jordan and above all Dirk Kaftan, Roland Kluttig can be considered one of the defining figures of opera in Graz over the last quarter of a century. With its natural flow, balanced sound and fine musicality, the Schumann performance once again demonstrated the status of Kluttig and the ensembles."
Kleine Zeitung, 17 June 2023, Martin Gasser
"What need is there for images when Roland Kluttig conducts the overture to ‘The Flying Dutchman’? A whole ocean rages in the imagination anyway, Kluttig lets it roll in ever new waves, full of rage and force. Initially, the ‘redemption motif’ is the only thing that stands against it, savoured infinitely slowly, only to finally prevail - the final version is played - as if everything necessary had already been said by the orchestra with this overture. How precisely the chief conductor of Graz Opera knows how to think about music is not only evident from the programme booklet. There, he reflects on the loud dynamisation of the winds in Wagner's breakthrough work, which, according to the conductor, would nevertheless carry the risk of a loss of power if retouched. On the podium, he succeeds in both: the Graz Philharmonic does not interfere with the singing, or only to a manageable extent, and the conducting has more than enough energy."
Opernwelt, June 2022, Michael Stallknecht
"Kluttig and his Graz Philharmonic maintained a similarly analytical approach in the second part of the concert. In Strauss' Alpine Symphony, they were fortunately miles away from giving this programme music a thick coat of Louis Trenker conquering alpinism. Instead of a thick trowel, subtle differentiation prevailed, which was more reminiscent of Mahler and Nietzsche than heroic glorification."
Kronenzeitung, 27 September 2021, Reinhard Schwarz
"Roland Kluttig, one of the few conductors in the world who can conduct the latest music just as skilfully as Beethoven, Wagner and Sibelius."
FAZ, 17 August 2021, Jan Brachmann
"A great moment with Graz participation.....Feldman has rarely been heard in such a dramatic, exciting and vibrant way. It is nothing less than a demystification that the head of the Graz Philharmonic has achieved. He turns ‘Neither’ into what it claims to be in the subtitle: an opera."
Kleine Zeitung, 14 August 2021, Martin Gasser
"Roland Kluttig, currently General Music Director in Coburg, lets Dukas' music blossom in bright colours, but also pays close attention to the many shades of grey with which the score already points ahead to modernity. The conductor, who is very familiar with contemporary music, always follows the soft curves of this thoroughly French music, allows it to breathe organically and occasionally tightens the reins when the dramatic climax needs to be reached."
FAZ, 08 March 2018, Reinhard Kager
"But the centre of power and gravity of this acclaimed production is Roland Kluttig. Together with the Philharmonic Orchestra, the General Music Director has created a knowingly phrased, glowing, always flowing Wagner full of dynamic fine gradations and tonal colour discoveries."
Concerti, April 2017, Peter Krause
"The conductor Roland Kluttig obviously still had Neumann well in his ear. His style succeeded miraculously managed the tightrope walk between an over-sharpened, forced, even rushed sound effect (Michael Gielen) on the one hand and retarding - softened contours (Charles Mackerras) on the other."
Opernwelt, April 2017, Heinz – Klaus Jungheinrich
"The Staatsorchester, conducted by Roland Kluttig, provides the soundscape to a psychological drama with its captivating auditory pull from the very beginning. It is fantastic what emerges from the orchestra pit, colourful and always transparent despite its powerful sound."
Stuttgarter Nachrichten, 24 November 2015, Verena Großkreutz
70 Jahre Grazer Philharmoniker
Bruckner Sinfonie Nr. 6 A Dur 2. Satz, Grazer Philharmoniker
Bruckner Sinfonie Nr. 6 A Dur 3. Satz, Grazer Philharmoniker
Bruckner Sinfonie Nr. 6 A Dur 4. Satz, Grazer Philharmoniker
Konzerthausorchester