Contact
Katrin Matzke-Baazoug km@karstenwitt.com +49 30 214 594-213
European Management (except Italy: Resia Artists)
With a record release concert on 15 February at the Roulette in New York, the JACK Quartet presented the first album with compositions by its violinist Austin Wulliman.
Anthony Cheung, New Work
Eduardo Aguilar, HYPER
Seare Farhat, Aporias
Juri Seo, Three Imaginary Chansons
JACK Quartet
Taylor Brook, Organum
Christopher Otto, Angelorum Psalat, after Rodericus (14th c.)
Nicolá Vicentino, Musica prisca caput
Nicolá Vicentino, Madonna, il poco dolce
Vicente Atria, Roundabout
Austin Wulliman, Dave's Hocket
Christopher Otto, Miserere, after Nathaniel Giles
Taylor Brook, Phrygea
Johnny MacMillan, Songs From the Seventh Floor
Christopher Otto, Fumeux fume par fumée, after Solage (14th c.)
Juri Seo, Three Imaginary Chansons (2024)
Taylor Brook, Ars Nova
Georg Friedrich Haas, "In iij. Noct."
John Luther Adams, Lines Made by Walking
John Luther Adams, String Quartet No. 5
Rand Steiger, New Work
Amy Williams, Tangled Madrigal
Ruth Crawford Seeger, String Quartet 1931
Philip Glass, String Quartet no. 5
Natacha Diels, Beautiful Trouble
Eva-Maria Houben, Nothing more
Anthony Cheung, Neues Werk für Streichquartett
Elliott Carter, String Quartet No. 5
John Cage, String Quartet in Four Parts
Heinz Holliger, String quartet Nr. 2
Pierre Boulez, Livre pour quatuor I b
Pierre Boulez, Livre pour quatuor III c
Anton Webern, Sechs Bagatellen op. 9
Pierre Boulez, Livre pour quatuor I a
Jed Austin Imhoff Wulliman, Rhythmicon
Pierre Boulez, Livre pour quatuor II
Helmut Lachenmann, String Quartet No. 3 'Grido'
Pierre Boulez, Mémoriale
Wolfgang Rihm, Concerto for string quartet and orchestra
Bernd Alois Zimmermann, Rheinische Kirmestänze
Arnold Schönberg, Verklärte Nacht (Transfigured Night), Op. 4
Musikkollegium Winterthur
Ilan Volkov, conductor
Hannah Schmidt, presenter
Pierre Boulez, Livre pour quatuor
Christopher Otto, violinAustin Wulliman, violinJohn Pickford Richards, violaJay Campbell, cello
Hailed by The New York Times as “our leading new-music foursome,” and described as “expert in the most ferociously difficult modern scores'' by The New Yorker, the GRAMMY-nominated JACK Quartet is one of the most respected experimental string quartets performing today, synchronized in its mission to create international community through transformative, mind-broadening experiences and close listening. Comprising violinists Christopher Otto and Austin Wulliman, violist John Pickford Richards, and cellist Jay Campbell, JACK was founded in 2005 and operates as a nonprofit organization dedicated to the performance, commissioning, and appreciation of 20th and 21st century string quartet music. Through intimate, longstanding relationships with many of today’s most creative voices, the quartet has a prolific commissioning and recording catalog and has been nominated for three GRAMMY Awards.
JACK is featured in the ongoing celebrations of John Zorn’s 70th birthday, including an album release of his complete string quartets on Zorn’s Tzadik Records, major global tour dates, and the premiere of a new work with regular collaborator Barbara Hannigan. Described as “some of Mr. Zorn’s most able and enthusiastic interpreters'' (The New York Times), JACK performs his music at venues including the Walker Art Center (Minneapolis), KunstFestSpiel Herrenhausen, Miller Theatre (NYC), Great American Music Hall (San Francisco), and Cité de la Musique (Paris), among others in anticipation of JACK’s release of a recording of his eight string quartets. Other season highlights include a three-concert day at London’s Wigmore Hall, featuring the European premieres of works by Vicente Atria, Juri Seo, and Amy Williams. In 2024, JACK premieres Natacha Diels’ Beautiful Trouble at Penn Live Arts in Philadelphia, embarks on an Australian tour, and celebrates the 5th edition of its commissioning and composer development initiative, JACK Studio.
JACK embraces close collaboration with the composers they perform, yielding a radical embodiment of the technical, musical, and emotional aspects of their work. Through its successful nonprofit model, the quartet has both self-commissioned and been commissioned to create new works with artists such as Julia Wolfe, George Lewis, Helmut Lachenmann, and Caroline Shaw, with upcoming and recent premieres including works by John Luther Adams, Catherine Lamb, Liza Lim, Tyshawn Sorey, Wadada Leo Smith, Amy Williams, and John Zorn. The world’s top composers choose JACK because of its singular dedication to innovation and experimentation, realized through the invisible labor of extensive studio time and the support of full-time leadership staff and a Board of Directors.
Committed to helping dismantle outmoded classical music pipelines for composers, JACK’s all-access initiative JACK Studio supports collaborations with a selection of artists each year, who receive money, workshop time, mentorship, and resources to develop new works for string quartet. Having long observed how the social, cultural, and economic realities of institutional access disproportionately and unfairly exclude many people, JACK Studio offers composers paid opportunities to develop new work, hear their music performed by JACK, consult with mentors in the field, and receive recorded documentation. JACK receives hundreds of applications each season, and selects up to 15 composers or artists for two distinct opportunities: Two-Year Residencies, offering a longer-term relationship with the quartet, and Reading Sessions, in which recipients have existing works for string quartet read by JACK.
More than 40 composers have worked with JACK through JACK Studio thus far, hailing from Argentina, Belarus, Canada, Germany, Malaysia, Mexico, Myanmar, South Africa, Syria, and the United States. Their projects have been performed by JACK at venues including TIME:SPANS, Central Park, the Lucerne Festival, MoMA PS1, and Mannes School of Music, in addition to being recorded for professional releases. Commissioned artists have been paired with musical mentors including Marcos Balter, Clara Iannotta, George Lewis, Catherine Lamb, Georg Friedrich Haas, Donnacha Dennehy, Claire Chase, and Nadia Sirota.
JACK has performed to critical acclaim at Carnegie Hall (USA), Lincoln Center (USA), Berlin Philharmonie (Germany), Wigmore Hall (United Kingdom), Muziekgebouw (Netherlands), The Louvre (France), Kölner Philharmonie (Germany), the Lucerne Festival (Switzerland), La Biennale di Venezia (Italy), Suntory Hall (Japan), Bali Arts Festival (Indonesia), Festival Internacional Cervantino (Mexico), and Teatro Colón (Argentina). Among their honors, they have earned an Avery Fisher Career Grant and Fromm Music Foundation Prize; been selected as Musical America’s 2018 “Ensemble of the Year; and received Lincoln Center's Martin E. Segal Award, New Music USA's Trailblazer Award, and the CMA/ASCAP Award for Adventurous Programming.
According to Musical America, “many of their recordings are must-haves, for anyone interested in new music.” They have been nominated for multiple GRAMMY Awards, the most recent being their albums of music by John Luther Adams – nominated in the 2022 and 2023 Best Ensemble Performance category. Other albums include music by Helmut Lachenmann, Catherine Lamb, Du Yun, Elliott Sharp, Zosha di Castri, Iannis Xenakis, and an upcoming release of the complete quartets of Elliott Carter.
The JACK Quartet makes its home in New York City, where it is the Quartet in Residence at the Mannes School of Music at The New School and provides mentorship to Mannes’s Cuker and Stern Graduate String Quartet. They also teach each summer at New Music on the Point, a contemporary chamber music festival in Vermont for young performers and composers, and at the Banff Centre for Arts and Creativity. JACK has long-standing relationships with the University of Iowa String Quartet Residency Program, where they teach and collaborate with students each fall and spring, as well as with the Lucerne Festival Academy, of which the four members are all alumni.
2023/2024 Season
This biography is to be reproduced without any changes, omissions or additions, unless expressly authorised by the artist management.
JOHN LUTER ADAMS PORTRAIT
Pulitzer Prize-winning composer John Luther Adams emerged from decades of full-time environmental activism with a rich artistic voice and a belief that music can do more to change the world than politics. Adams' vision of a musical expression searching for its future home through a grounded presence in our natural world has inspired JACK Quartet to create nine quartets with him, including our GRAMMY-nominated album Lines Made By Walking. Letting the natural resonance of the quartet's strings ring out as if swept by the wind atop a mountain or tracing the steps of Adams' daily walks in the Montana foothills, the music is an invitation to inhabit space and sound and to rediscover a fascination with music's very relationship to the natural world.
Modifications and further programmes on request.
Natacha Diels: Beautiful trouble
Natache Diels' Beautiful Trouble for choreographed string quartet, video, and electronics is an evening-length music theatre piece with video clips, active lighting, scenic movement, instrumental and electronic sound, and vocalizations by the performers, bringing together the power of live performance with the hypnosis of the screen to confuse the line between hyper-reality and fiction. The project has been co-commissioned by the Banff Centre for Arts and Creativity, TIME:SPANS, and the New York State Council on the Arts. Beautiful Trouble premiered to great acclaim at Penn Live Arts on February 2, 2024 and will be touring from the 2024/25 season. Periods on request.
Videos and more information here.
"True to the vision of “rewriting history” the first half included arrangements of works from the Renaissance period, alongside pieces by contemporary US composers Johnny MacMillan and Amy Williams, both of which feature snatches of older works as an undercoat. (...) Williams was also inspired by Vicentino’s choral music for Tangled Madrigal, a work commissioned by JACK. Out of a patina of sliding insect sounds at the top of the fingerboard emerges a madrigal theme amid complex rhythmic shifts and pauses. Solo cadenza passages are thrown around after a yearning passage from Richards’ viola – first Campbell’s cello then Wulliman’s violin, accompanied by whiplike bow strokes then some manic agitated bowing by the ensemble. (...) This was an afternoon of outstanding musicianship and a programme which, in the first half, bestrode the ancient and modern worlds, while unleashing all the iconoclastic delights of today in the second."
Limelight-arts.com, Steve Moffat, 7.4.2024
"The JACK Quartet pushes the boundaries of what can be considered technically possible with breathtaking precision."
Hannoversche Allgemeine Zeitung, Stefan Arndt, 16.05.2023
"Rushing and pounding sounds produced with the bow, but also with picks, with plucking and tearing finger and arm movements on truly all parts of the instruments. (...) There is breathless silence in the audience in the face of the magical lightness of these often barely audible sounds."
rbb24/rbb Inforadio, Hans Ackermann, 12.5.2023
"JACK Quartet’s committed performances are a model of flawless ensemble and intonation, captured in very clear sound."
Gramophone.
Elliott Carter, String Quartet No 3
JACK Quartet performs Lachenmann's Grido | Live from Columbia
JACK Quartet, Tippet Rise Art Center, August, 3rd 2019
Natacha Diels, "On Monday"
Scott Lee, JACK Quartet, Steven Beck, Russel LacyPanoramic Recordings, 2020, pan20
Roger Reynolds, JACK QuartetMode Records, 2020, MDE MOD-CD-326
John Luther Adams, JACK QuartetCold Blue Label, 2020, B08F8G38VQ
Dan Trueman, JACK Quartet, So PercussionNew Amsterdam Records, 2019
JACK Quartet, Julia Den Boer, yarn/wire, International Contemporary Ensemble, Talea Ensemble, Ensemble EkmelesNew Focus Recordings, 2019, fcr227
JACK Quartet, yarn/wire, Calder Quartet, Emanuele Torquati, Duo Dillon-Dorquati, Keith KirchoffKairos, 2019, 0015048KAI
Clara Ianotta, JACK QuartetWergo, 2020, WER 64332
Du Yun, JACK QuartetModern Sky Ltd., 2020, B08F3DVK41
Cenk Ergün, JACK QuartetNew Focus Recordings, 2020, fcr238
Here for the full discography