Contact
Clara Rempecr@karstenwitt.com+49 30 214 594-233
Elia Merguetel@karstenwitt.com+49 30 214 594-225
General Management
In an interview with German music critic Eleonore Büning, Christoph Prégardien muses about empathy and stage fright, talk of a lieder crisis and the sins of concert promoters.
No panic – Christoph Prégardien, one of the leading tenors of our time, is still on tour as a soloist. However, considering the success of his St. John and St. Matthew Passions it is no surprise that the singer will increasingly be seen on the conductor’s podium.
Songs by Schubert, Rihm and Schumann
Christoph Prégardien, tenor
Lorenzo Soulès, piano
Mythos Goethe
Julius Drake, piano
Udo Samel, actor
Handel: Sacred and Secular
Leila Schayegh, violin
La Centifolia
Handel's Heyday in London
Handel's Heyday in London: Arias and Concerti Grossi by Handel and Telemann
La Centifolia, chamber orchestra
His lyric tenor voice had a youthful glow, yet he sang with plaintive beauty and piercing insight. The New York Times
Precise vocal control, clear diction, intelligent musicality, and an ability to get to the heart of everything he sings all ensure Christoph Prégardien’s place among the world’s foremost lyric tenors. Especially revered as a Lieder singer, he kicks off the 2022/2023 season together with Julius Drake in a BBC lunchtime concert at London's Wigmore Hall before he gives joint recitals with his longtime collaborator on the piano Michael Gees on a tour of Japan with all three Schubert cycles. In other recitals, Christoph Prégardien can be heard with Roger Vignoles at the Palau de la Música Catalana in Barcelona, and again with Julius Drake at the Vienna Konzerthaus, at the Théâtre de l'Athénée Paris, and at the Schwetzingen Festival. Together with his son Julian Prégardien, he presents Father & Son concerts at Oxford Lieder, at the Concertgebouw Amsterdam, and with the Orchester de Chambre de Paris and Harry Ogg at the Théâtre des Champs-Elysées Paris. He also interprets Mahler songs with the Nuremberg Symphony Orchestra under Jonathan Darlington and Schubert arrangements by Brahms, Reger, Berlioz, and Webern with the MDR Symphony Orchestra under Dennis Russell Davies. In the summer 2023, Christoph Prégardien will once again be in the spotlight at Wigmore Hall, presenting two recitals with Stefan Litwin and Julius Drake, as well as a special Handel program devised with baroque violinist Leila Schayegh and her ensemble La Centifolia, which will be repeated at the Schleswig-Holstein Music Festival.
Christoph Prégardien regularly appears with renowned orchestras the world over. He has worked with the Berlin and Vienna Philharmonics, Amsterdam Concertgebouw Orchestra, Philharmonia Orchestra, Orchestre Philharmonique de Radio France, as well as the Boston and San Francisco Symphonies, alongside conductors such as Barenboim, Metzmacher, and Thielemann. His wide orchestral repertoire includes the great baroque, classical, and Romantic oratorios and passions, as well as works from the 17th and 20th centuries. In opera, his roles have included, among others, Tamino, Almaviva, Fenton (Falstaff), Don Ottavio, Titus, Ulisse, and Idomeneo.
His extensive experience singing the Evangelist roles, together with his close working relationship with conductors such as Nagano, Chailly, Herreweghe, Harnoncourt, Luisi, and Gardiner, have provided the perfect base for his increasing dedication to conducting the works of Bach. Following the success of his conducting debut in 2012 leading Le Concert Lorrain and the Nederlands Kammerkoor, he now regularly conducts renowned ensembles like the Balthasar Neumann Choir, Dresdner Kammerchor, Collegium Vocale Gent, and RIAS Kammerchor.
The singer has recorded much of his repertoire on a discography of over 150 albums, which have received awards such as the Orphée d’Or of the Académie du Disque Lyrique, the Edison Award, the Cannes Classical Award, and the Diapason d’Or. For the label Challenge Classics, he has recorded Schubert’s Schwanengesang with Andreas Staier and Die schöne Müllerin with Michael Gees, which was selected as Editor’s Choice by Gramophone magazine and awarded the MIDEM Record of the Year. Shortly thereafter followed recordings of Hugo Wolf’s Italienisches Liederbuch with Julia Kleiter, Between Life and Death, Wanderer, and the Grammy-nominated Winterreise disc – all with Michael Gees – as well as Father and Son with his son Julian Prégardien. His Schubert CD Poetisches Tagebuch with Julius Drake was awarded the German Critics’ Award 2016. His most recent releases include a recording of cantatas by Telemann and Bach with the Vox Orchester for Sony (where he appears as a baritone for the first time), along with Schumann's Dichterliebe and Wagner's Wesendonck Lieder with Michael Gees for Challenge. In collaboration with the Warsaw Chopin Institute, Christoph Prégardien released a recording of Paderewski, Moniuszko, and Duparc songs together with pianist Christoph Schnackertz, as well as a new recording of Schubert’s Schwanengesang and Schumann’s Liederkreis, Op. 39 (with Julius Drake).
Teaching remains an important part of Christoph Prégardien’s musical life. Following many years at the Hochschule für Musik und Theater in Zurich, he gives masterclasses for young singers worldwide and since 2004 has been a professor at the Academy of Music in Cologne.
2022/2023 season
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Recitals
Schwanengesang with Julius Drake, pianoF. Schubert: Schwanengesang D 957 and other songs (Schlegel, Rückert)L. v. Beethoven: Adelaide, Op. 48; An die ferne Geliebte, Op. 98
Song and Lyrics with Julius Drake, pianoGoethe in settings by Schubert, Wolf, Beethoven, Liszt, Schumann et. al.
Memory with Stefan Litwin, pianoSongs by F. Schubert, G. Mahler, H. Wolf, Ch. Ives, H. Eisler et. al.
Folks song arrangements with the Oberon TrioHenja Semmler, violine; Antoaneta Emanuilova, cello; Jonathan Aner, pianoJ. Haydn: various folks song arrangements; Trio in E flat major Hob. XV:29L. v. Beethoven: various folks song arrangements; Trio in B flat major, Op. 11 'Gassenhauer'
Chamber recital with piano trioFranziska Hölscher, violin; Jens Peter Maintz, cello; Daniel Heide, pianoF. Schubert: Trio in E flat major D 897 'Notturno'; songs by various poets (partly arranged for trio)L. v. Beethoven: various folks song arrangements; Trio in B flat major, Op. 11 'Gassenhauer'
Details and further programmes on request.
father&son
Duo recitalJulian and Christoph Prégardien, tenorMichael Gees, pianoSongs by Mozart, Beethoven, Schubert, Brahms et al.The full programme can be downloaded here.
Christoph Prégardien, tenorEnsemble La Centifolia, Leila Schayegh, violin and directionHandel's heyday in London in one evening: the most beautiful and touching tenor arias from Tamerlano, Rodelinda, Samson and Jephta, nestled in overtures and concerti grossi. The (earlier) Italian-profane and the (later) English-sacred are contrasted and the wide range of Handel's oeuvre fanned out. The full programme can be downloaded here.
“Prégardien shows an enviable freshness; his voice has lost neither in tone nor in breath nor in the play between the forte and the pianissimi, always a wonderful timbre at the centre.”
Platea Magazine, Javier de Oliva, 25. August 2022, on the recital with Julius Drake at Schubertiade Schwarzenberg in august 2022
“With Prégardien, one could once again admire the consistent comprehensibility of the text and the always convincing power of interpretation. Even if one has heard the well-known songs many times, he once again succeeded in building up great tension in Erlkönig, in making the Musensohn happily wander through "field and forest" or in turning the Ständchen into a touching love song. The quiet songs such as Die Mutter Erde, Wandrers Nachtlied II and Nacht und Träume were particularly impressive in terms of vocal quality.”
Der Opernfreund, Gerhard Eckels, June 2022
“Prégardien retains his essentially mellow sound, comfortable in the lower registers but still capable of the airy phrases and subtle dynamic gradations that have always characterised his singing. (...) Above all, he always remains true to the concept of line. His clear diction allows him to narrate and illuminate the two dozen stories the songs here contain, without the self-dramatising fear-mongering that plagues some critically acclaimed representatives of lieder singing today (...) an auspicious start to Eisenlohr’s latest endeavor.”
Opera News Online, David Shengold, June 2022 – on Vol I of Brahms Complete Songs with Ulrich Eisenlohr
“The voice sounds almost youthfully fresh, effortlessly supple and lyrical in the intimate Lieder, on the other hand capable of powerful expressivity. [...] Without pushing, Prégardien's always cultivated tenor (which is by no means restrained by its beauty) can hold its own very well [...] He convinces with exemplary diction [...] At the same time, he stretches wonderful, almost endlessly long legato arches from bright tenor spheres into earthy baritonal depths.“
tagblatt.ch, Bettina Kugler, 1 May 2022
“A sublime evening that will be cherished for a long time“ – on the Portland recital with Gloria Chien
Oregon Artswatch, James Bash, 9 March 2022
“Christoph Prégardien [...] still possesses a clear and flexible tenor, flawless diction, and an emotional expressiveness that shades from the contemplative to raw outbursts of joy and feeling. His intensity is just overwhelming.“
Crescendo Magazine, Jean Lacroix, 3 January 2020
“The performance was superb. Prégardien is one of today’s greatest Lieder singers, a consummate storyteller whose gestures and facial expressions aid in communicating the meaning and emotional content of the lyrics, and whose voice is fluidly expressive across its entire range, and especially beautiful on both top and bottom notes.“
ClassicalSource, David M. Rice, 22 October 2019
“Prégardien’s easeful articulation, his rich coloring, the diminuendos and light irony: superb!“
Tagesspiegel.de, Christiane Peitz, 17 September 2019, on his CD "Robert Schumann: Dichterliebe op.48" with Michael Gees
“How well one can follow the train of thought through the interludes and stanzas, thanks to the wealth of detail with which he relates these little stories through song; art of the highest order.“
FAZ, Guido Holze, 8 February 2019 – on songs after Heine from "Schwanengesang"
“A beautifully imaginative disc […] Prégardien floats a beautiful line, […] and Katsaris’ piano flows delicately […] his piano accompaniments take a strong character of their own, one which complements the singer and very much creates a discreet whole, even in the songs where the piano’s role is relatively straight forward.“
Planet Hugill, Robert Hugill, 20 November 2018 – on the CD “Auf den Flügeln des Gesanges. Romantic songs and piano transcriptions”
“This a quite a superlative recording that meets the desires and wishes of any Baroquophile on the quest for excellence […] The music simply washes over you with a purity and quality many seek to match.“
Early Music Review, David Bellinger, 3 June 2018, on the CD “Cantatas for Baritone” with Vox Orchestra, Sony
“Both artists brought deep insight to their roles, combining beautifully in sound and spirit, and creating no end of poignant moments.“
NY Times, James R. Oestreich, 23 February 2018, on Winterreise with Julius Drake
“His voice maintains its dark, almost baritone-like lower range, and a top that can float with the utmost delicacy in soft passages.“
Chicago Classical, John Y. Lawrence, 19 February 2018 on the recital of “Poetic Diary” with Julius Drake
“Prégardien's artistry is streamlined, focused, essential: with beauty of tenor tone absolutely intact – he is 60 – diction impeccable, emotions of text and tone fused and explored to the last degree, he is the consummate Lieder singer. […] He brought splendour, agony and ecstasy to Mahler's Lieder eines Fahrenden Gesellen first; bitterness, irony and a heady intelligence to Schumann's Dichterliebe in the second half; and those Schubert Heine settings in between are still alive and reverberating with wonder and horror somewhere in my subconscious several days on. You want it darker? Try Schubert.“
jessicamusic.blogspot.de, Jessica Duchen, 18 November 2016
“The tenor is a storyteller who avoids mannerisms: no reverb, little vibrato, no preoccupation with nice sound. However, he is constantly audible, and he does not avoid the risk. In the highest registers he also has an astonishing resilience, as demonstrated in almost hummed encore Mondnacht. British accompanist Julius Drake showed a sensitive ear for detail. In the perlentränentröpfchen, the death coffin is nailed: they were all audible in the Steinway.“
De Volkskrant, 20.11.2015 on the CD “Poetisches Tagebuch“, released on Challenge Classics, November 2015
“Much of what Prégardien did was a revelation, with such immaculate diction and attention to each musical detail that the audience hung on every word. The four songs of Mahler's Lieder eines Fahrenden Gesellen, so often presented as expressions of youthful self-pity, became a genuinely dramatic scenario, the tragedy searingly convincing. […] This was Lieder singing of the very highest class“
The Guardian, Andrew Clements, 2 November 2015
Christoph Prégardien & Julius Drake: Schubert Lieder, August 2022
Christoph Prégardien and Trio Hölscher, Heide, Maintz: Beethoven - Folk Song Arrangements for piano trio, June 2022
British Folk Songs arranged for voice and piano trio
Sunset, op. 108/2Since Greybeards inform us, WoO 153/4Come, draw we round, WoO 152/8Again, my lyre, op. 108/24Sally in our alley, op. 108/25
Christoph Prégardien and Trio Hölscher, Heide, Maintz: Lieder by Schubert, June 2022
Der Musensohn (Goethe), D 764Im Frühling (Schulze), D 882Erlkönig (Goethe), D 328Wandrers Nachtlied II (Goethe), D 768*Fischerweise (Schlechta), D 881*Ständchen (Rellstab), D 957/4Die Mutter Erde (Stolberg), D 788*Nacht und Träume (M. v. Collin), D 827*
Christoph Prégardien & Ulrich Eisenlohr: Six Songs from Schubert's "Schwanengesang"
Christoph Prégardien with the Oberon Trio @ Ludwigsburger Schlossfestspiele
"Zwei Seelen”: Schubertlieder mit Christoph Prégardien und dem MDR-Sinfonieorchester unter Dennis Russell Davies starting at 17.42
Christoph Pregardien, Ulrich Eisenlohr
Naxos, 2020, 10747780
Christoph Pregardien, Julius DrakeNIF, 2020, 10897275
Christoph Prégardien, Michael Gees
Challenge Classics, 2019, CC 72788
Christoph Prégardien, Christoph Schnackertz
The Fryderyk Chopin Institute, 2019, NIFCCD 070
Christoph, Prégardien, Kammerorchester Basel, Camerata Vocale Freiburg, Winfried Toll (conductor)
Solo Musica, 2019, SM 328
Christoph Prégardien, Vox Orchester, Lorenzo Ghirlanda
Sony Music, 2018, 19075834122
Christoph Prégardien, Cyprien Katsaris
Challenge, DDD, 2017
Christoph Prégardien, Olivier Darbellay, Michael Gees
Challenge Classics, 2017, CC72771
Christoph Prégardien, Julius Drake
Challenge Classics 2015, 8327510
Christoph & Julian Prégardien, Michael Gees
Challenge Classics, 2014, CC72645
Christoph Prégardien & Michael Gees
Challenge Classics, 2013, CC72596
Christoph Prégardien, Bochumer Symphoniker, Steven Sloane
cpo, 2011, cpo777675-2
Christoph Prégardien, Julia Kleiter, Hilko Dumno
Challenge Classics, 2010, CC72378
Challenge Classics, 2009, CC72324
Christoph Prégardien, Andreas Staier
Challenge Classics, 2008, CC72302
Challenge Classics, 2008, CC72292