Contact
Isabella Vasilottaiv@karstenwitt.com+49 30 214 594-240(on maternity leave)
Yan Dribinskyyd@karstenwitt.com+49 30 214 594-230
Estefanía Montes Menéndezes@karstenwitt.com+49 30 214 594-228
General Management
As composer-in-residence at the Tongyeong International Music Festival, the works of Ondřej Adámek will be performed in numerous concerts at the beginning of April. The Ensemble Modern will perform in three concerts, which will premiere his new work Let me tell you a story, under the direction of Tito Ceccherini.
Premio Abbiati del Disco: The recording of Ondřej Adámek's compositions Where are you? and Follow me with Magdalena Kožená, Isabelle Faust and the Bavarian Radio Symphony Orchestra conducted by Peter Rundel and Sir Simon Rattle has received the prestigious Italian critics' award.
Ondrej Adamek, Let me tell you a story
Ondrej Adamek, Lost Prayer Book
Ondrej Adamek, composition
Ondrej Adamek, Le Diner
Conductor Ondrej Adamek in his 2021 cello concerto " Illusorische Teile des Mechanismus ". In it, as if under a burning glass, he looks at the creation of music and at the same time asks the question of how music, how the sounding tone makes our soul "ring". - Kölner Stadtanzeiger, Acht Brücken, 28.04.22 Björn Woll
The composer and conductor Ondřej Adámek developes a musical language that unfolds as a dialogue with more distant cultures. Directness and finely formed moments of expression with artfully composed timbres characterize his works, which include orchestral, chamber, vocal, and electroacoustic music.
Born in Prague in 1979, Ondřej Adámek studied composition at the Academy of Music in Prague and at the Conservatory in Paris. In 2010, he came to Berlin as a guest of the DAAD's Berlin Artists' Program, where he has lived ever since. During longer stays in France, Africa, Spain, Japan, India, and Italy, he immersed himself in the musical cultures of these countries, which subsequently shaped his own music time and again. The play with language(s) also emerges as a structuring element in many ways.
As part of a new cycle of approaches to different musical cultures, Ondřej Adámek conducted Birmingham Contemporary Music Group with his new work Whence comes the voice?, which explores Qawwali music, to open the season in September 2022. Korean Pansori singing is the focus of a new work to be launched by Ensemble Modern under Tito Ceccherini at the Tong-yeong International Music Festival in spring 2023, where Ondřej Adámek will also be represented with other works as artist-in-residence. Also in September, his music theatre Reaching out was given its Italian premiere at the Biennale Musica Venezia. The vocal ensemble N.E.S.E.V.E.N., which he founded, had premiered the work with Eric Oberdorff, choreographer, two dancers, and two percussionists in Marseille in May 2022.
With N.E.S.E.V.E.N., Ondřej Adámek explores the authenticity and originality of the voice as well as scenic possibilities. The a cappella opera Seven Stones, premiered in 2018 at the festival in Aix-en-Provence and shown again in January 2022 at the Konzerthaus Dortmund, was the initial spark for the founding of the ensemble, which has since premiered several works: Alles klappt for 6 singers and two percussionists was shown with great success at the Munich Biennale in 2018; Man Time Stone Time was presented in Witten in 2019 with the WDR Sinfonieorchester under Michael Wendeberg and was again staged at the Festival Présence with the Orchestre de Radio France under Kent Nagano.
In the past season, his composition Where are you?, which was taken on a European tour by the London Symphony Orchestra under Simon Rattle with soprano Magdalena Kožená, received a great deal of attention. The work, which was premiered by the Bavarian Radio Symphony Orchestra under Simon Rattle, was heard at the Lucerne Festival, the Musikfest Berlin, as well as in Antwerp, Luxembourg, Dortmund, and Bucharest. The cello concerto Illusorische Teile des Mechanismus was also premiered by Jean-Guihen Queyras with the Ensemble Resonanz under the direction of Ondřej Adámek and was performed at the Acht Brücken festival in Cologne and at the Elbphilharmonie.
In 2019, it was his Sheng concerto Lost Prayer Book that toured Europe with performances at the WDR Funkhaus, the Philharmonie de Paris, the Southbank Centre London, as well as in Leicester, Den Bosch, and Amsterdam. The soloist Wu Wei performed with the Ensemble Musikfabrik conducted by the composer, the ensemble 2e2m under Pierre Roullier, the London Philharmonia Orchestra under Jonathan Stockhammer, and the Ensemble Asko/Schönberg under Bas Wiegers. Follow Me, the violin concerto for Isabelle Faust premiered in 2017 by the Bavarian Radio Symphony Orchestra under Peter Rundel, was performed with the Orchestre de Strasbourg at Festival Musica and with the Helsinki Philharmonic Orchestra under Susanna Mälkki.
Always in search of sounds that go beyond the conventional orchestral apparatus, Ondřej Adámek developed the installative musical instrument Airmachine through years of experimental work. The mechanical apparatus with rubber gloves, horns, hoses, and all kinds of valves had been created for the work Körper und Seele, which premiered in Donaueschingen in 2014 with the SWR Vokalensemble and the SWR Sinfonieorchester Baden-Baden und Freiburg under François-Xavier Roth. In the meantime, it has taken on a musical life of its own, and has been constantly used and developed in further compositions.
Ondřej Adámek's works have been awarded numerous prizes, including the Prix de Bourges (IMEB, 2003), the Prix Métamorphoses (Belgium 2002, 2004), the Hungarian Radio Prize (2004), the Composer Prize of the Brandenburg Biennale (2006), the Prix Hervé-Dugardin (SACEM, 2009), the Grand Prix Tansman (Lodz 2010), the Prix George Enesco (SACEM, 2011), and the Composition Prize of the City of Stuttgart 2018. The recording of Where are you? and Follow me with Magdalena Kožená, Isabelle Faust and the Bavarian Radio Symphony Orchestra conducted by Peter Rundel and Sir Simon Rattle, released on the BR-KLASSIK label, was awarded the pres-tigious Premio Abbiati del Disco in 2022. In 2014-2015 Ondřej Adámek was a fellow of the Académie de France at the Villa Medici in Rome. From September 2022 till June 2023, Ondřej Adámek is a fellow at Villa Massimo in Rome.
2022/23 season
This biography is to be reproduced without any changes, omissions, or additions, unless expressly authorised by the artist management.
You can find a list of works by Ondřej Adámek here.
"Nietzsche may have proclaimed God dead 140 years ago, but the Almighty is clearly still working his mysterious way into the minds of avant-garde composers such as Ondrej Adamek. To judge from Where are You?, his new song-cycle, Adamek thinks of little else except whether God exists."
The Times, Richard Morrison, 17.9.21
"Adámek’s Whence Comes the Voice? brought European and Indian, composed and traditional music into deft juxtaposition. Taking its inspiration from Qawwali singing, and using a scale derived from the Raga Todi, the piece unfolded via tempos which rose progressively across its 20-minute course. Formally self-contained and even inscrutable, it took on a whole range of expressive nuance through its vocal contributions."
Arcana, Richard Whitehouse, 4.9.2022
"Adámek likes to combine the driving rhythms of minimal music with experimental means such as intermittent breathing or whispering into the instrument, he draws on folk music patterns and formulas. He avoids romantic pathos just as much as esoterically spun l`art-pour-l`art constructions. In this way, Adámek’s music remains comprehensible and targeted at every moment, especially since he always encircles a timeless humanistic core in his music."
Süddeutsche Zeitung, Reinhard J. Brembeck, 7.3.21
"The decade or more since he wrote Karakuri has seen Adámek emerge at the forefront of European new music, and with this piece an engaging statement of intent. It channels the mechanized Japanese puppetry of that name towards music-theatre in which the figurine is envisaged then gradually brought to life and fine-tuned; subsequently to wreak havoc on its own terms."
Ondřej Adámek: Kameny
Ensemble intercontemporain, George Benjamin
Ondřej Adámek: Karakuri Poupée Mécanique