For his music building bridges between cultures, Toshio Hosokawa has been awarded the Goethe Medal.

Part science documentary, part true crime story: Philippe Manoury about his reconstruction of Boulez' Livre pour quatuor.

Journalist Barry Davis (The Jerusalem Post) accompanied the Jerusalem Symphony Orchestra's tour of Germany and drew an enthusiastic account of the first concert tour after the lockdown.

A much anticipated work by composer Samir Odeh-Tamimi received its world premiere at the Festival d'Aix-en-Provence 2021.

Ilya Gringolts' solo-CD Ciaccona features music of today and draws inspiration from Johann Sebastian Bach.

Diapason d'or for Ilya Gringolts: on his new CD with the Finnish Baroque Orchestra he dazzles with music by Locatelli.

Simon Bode talks about his wanderlust for musical journeys.

Eliahu Inbal's recording of Shostakovich's 11th Symphony is the first purely orchestral release by the fledgling SWR Symphony Orchestra.

Congratulations to Ming Tsao on his award as a Fellow of the John Simon Guggenheim Memorial Foundation for 2021!

Outrage is not enough: Titus Engel talks to the FAZ about conducting Bartók's only opera and about cultural politics in Corona times.

The winner of the International Ernst von Siemens Music Prize 2020, Tabea Zimmermann, accepted the prize during the digital ceremony on 15 June 2021. A portrait by Patrick Hahn outlines her exceptional career.

The series of concerts celebrating Friedrich Cerha's 95th birthday culminated in August 2021: the monumental Spiegel cycle was performed at the Salzburg Festival by the Vienna Radio Symphony Orchestra under Ingo Metzmacher. We celebrated the anniversary with a collection of portrait articles, current links, and his video interview for the Stadtjournal wien.at.

Our three-part series of interviews marking Eliahu Inbal's birthday kicks off with musings and memories about his musical roots.

On 19 February, Ryoko Aoki joined musicians from Ensemble Musikfabrik in the virtual space to perform Peter Eötvös' melodrama Secret Kiss.

Jan Caeyers' Beethoven biography is a resounding success, also in its English translation.

Bringing about new things: Ilya Gringolts' I&I Foundation

In 2019, Alejo Pérez conducted Sergei Prokofiev's operatic tragedy The Fiery Angel to great acclaim at the Teatro dell'Opera di Roma. The production is now available on DVD.

Breathing differently every evening: The conductor Alejo Pérez

We congratulate Titus Engel on being named Conductor of the Year 2020 by Opernwelt magazine!

In the second instalment of our series of interviews to mark Eliahu Inbal’s birthday, the conductor looks back on his apprenticeship years in Israel and Europe.

Before his career as a conductor, Michael Wendeberg was a member of the Ensemble Intercontemporain as a pianist and worked closely with Pierre Boulez. On the fifth anniversary of Boulez’ death, his complete recording of the composer's piano works were released.

Anssi Karttunen is against monotony. On his Instead List for Cello, he pairs a rarely played work worth listening to with every well know piece.

Charles V, Walter Benjamin, Prince of Homburg, Friedrich Hölderlin, Martin Luther: Dietrich Henschel takes on history’s greats.

Our series of interviews celebrating Eliahu Inbal’s birthday concludes with the conductor’s memories of his recording successes, and reflections on orchestral sound and the interpretation of works.

Musicians who also express themselves in other artistic fields were at the centre of the Donaueschingen Festival 2014. A composer who many saw in a new light on this occasion is Friedrich Cerha.

New in New York: Brad Lubman and the Reich Richter Pärt project

GrauSchumacher Piano Duo: Always Ready for Something New

15 Years: Our Anniversary Magazine and an Interview with Karsten Witt.

"At a time when the livelihood of artists is fundamentally threatened, they must use their resources in a creative way to find a way out of this crisis," says Dietrich Henschel about his opera project COSÌ.20 – Love is Contagious.

Philosophy and Emotion: The Conductor Titus Engel

Ryoko Aoki incorporates into her performances a theatrical culture that, in the past, was largely reserved for male performers.

A new concert hall complex of the Sverdlovsk Philharmonic, home of the Ural Philharmonic Orchestra, will be completed in 2023 with a design by the London office of the late renowned architect Zaha Hadid.

Karsten Witt about the late Hans Zender

The libretto and score for Johannes Maria Stauds new opera Die Weiden were written in parallel, developed through constant communication.

From life on the front line to the intimacies of love: Chaya Czernowin’s new opera Heart Chamber presents a huge tonal shift from the subject matter of her last project for the stage.

The chemistry is right: Alejo Pérez about his new position at the Opera Ballet Vlaanderen.

Lukas Ligeti on artistic influences and his father's legacy.

"Few approach the unknown world of the organ with such patience and intensity,” enthused organist Stephan Heuberger about composer Mark Andre and his work iv15 Himmelfahrt.

Voyage of the Philharmonie: Philippe Manoury's Triptych for Orchestra

In an interview with German music critic Eleonore Büning, Christoph Prégardien muses about empathy and stage fright, talk of a lieder crisis and the sins of concert promoters.

Eclectic and cosmopolitan, from a mediaeval point of view: Anna Maria Friman, Linn
Andrea Fuglseth and Jorunn Lovise Husan perform repertoire from the Codex Las Huelgas.

François-Frédéric Guy, expert in romantic German repertoire and especially Beethoven's works, describes his experience as an orchestra leader from the piano as a "thrilling tightrope act".

Peter Rundel talks about opera.

Jerusalem Calling: Steven Sloane on New Journey

“Now” is always different, fluid, says conductor Bas Wiegers in his essay about diversity, change, and the power of live performances.

Remembering Noam Sheriff: Steven Sloane in Conversation with Karsten Witt

Claire Huangci: In the Studio with Rachmaninov

Toshio Hosokawa's opera Erdbeben. Träume leads on a journey that shows the human capacity for mass violence and both the ferocity and the grace of nature.

An outstanding soloist, chamber musician, pedagogue, artistic director and essayist – and in all these things a musical bridge-builder and partner to musicians, composers and artists from various fields: Anssi Karttunen forges his own path.

Chaya Czernowin talks about her artistic path and her cello concerto.

No panic – Christoph Prégardien, one of the leading tenors of our time, is still on tour as a soloist. However, considering the success of his St. John and St. Matthew Passions it is no surprise that the singer will increasingly be seen on the conductor’s podium.

Andreas Grau and Götz Schumacher perform classical concert repertoire, prevent works of the 20th century from sinking into oblivion, and continue to prompt composers to write new pieces for orchestra and two pianos: no other piano duo is currently taking to the stage with such a wide repertoire with orchestras.

Johannes Maria Staud talks about his orchestral piece Stromab.

We talked to Mariam Batsashvili in 2017 – at a particularly exciting time in her career.

In conversation with Jeffrey Arlo Brown, Mark Andre discussed teachers and companions, his German-French heritage and the aesthetics of fragility.

Brad Lubman’s official title at the Grafenegg Festival 2017 was “only” Composer-in-Residence. However, at Schloss Grafenegg, the many facets of his musical life were on display.