Yeree Suh



Kerstin Alt


+49 30 214 594-235

Clara Rempe


+49 30 214 594-233

General Management

CR_Marco Borggreve


02.03. 18:00
Sculpture Park Waldfrieden

With Works by Erik Satie, Luciano Berio, Viktor Suslin, György Ligeti and Unsuk Chin

Yeree Suh, soprano
Adele Bitter, violoncello
Holger Groschopp, piano

20.03. 18:30
KKL Lucerne

Johannes Brahms,  A German Requiem Op. 45
Isang Yun,  Engel in Flammen, Memento für Orchester mit Epilog für Sopran, Frauenchor und fünf Instrumente (1994)

Yeree Suh, soprano
Luzerner Sinfonieorchester
Michael Sanderling, conductor
Roman Trekel, baritone
Zürcher Sing-Akademie, choir

21.03. 18:30
KKL Lucerne

Johannes Brahms,  A German Requiem Op. 45
Isang Yun,  Engel in Flammen, Memento für Orchester mit Epilog für Sopran, Frauenchor und fünf Instrumente (1994)

Yeree Suh, soprano
Luzerner Sinfonieorchester
Michael Sanderling, conductor
Roman Trekel, baritone
Zürcher Sing-Akademie, choir

30.03. 19:30
Tongyeong Arts Center

Isang Yun,  Engel in Flammen, Memento für Orchester mit Epilog für Sopran, Frauenchor und fünf Instrumente (1994)
Johannes Brahms,  A German Requiem Op. 45

Yeree Suh, soprano
Luzerner Sinfonieorchester
Michael Sanderling, conductor

04.04. 21:30
Tongyeong Arts Center

Yeree Suh, soprano
Holger Groschopp, piano

07.04. 11:00
Tongyeong Arts Center

Yeree Suh, soprano
Hongkong New Music Ensemble


Yeree Suh delights audiences and critics with her radiant yet nuanced soprano voice, and has become internationally renowned as an interpreter of 17th and 18th century repertoire as well as of contemporary music.

Since her debut as Ninfa in Monteverdi’s L’Orfeo under René Jacobs at the Innsbruck Festival 2003 and her appearances at the Berlin Staatsoper and Theater an der Wien, the Korean singer has regularly worked with early music conductors such as Philippe Herreweghe, Ton Koopman, Andrea Marcon, Jean-Christophe Spinosi and Masaaki Suzuki and with ensembles such as Anima Eterna, the Akademie für Alte Musik Berlin, the Venice Baroque Orchestra and the Finnish Baroque Orchestra. She took the part of Mademoiselle Silberklang in Mozart’s Der Schauspieldirektor on tour with the Concerto Köln under Harald Schmidt, and debuted at the Beijing Festival in 2010 as Semele.

With her extraordinary voice control and clear timbre, the soprano is also a prominent interpreter of 20th and 21st century music. Under the direction of Kent Nagano with the Deutsches Symphonie-Orchester Berlin, Yeree Suh gave the European premiere of Matthias Pintscher’s with lilies white. She has also performed George Benjamin’s A Mind of Winter with the Frankfurt Radio Symphony Orchestra under Paavo Järvi, Unsuk Chin’s Akrostichon-Wortspiel with the Nieuw Ensemble Amsterdam, Wolfgang Rihm’s Mnemosyne with the Scharoun Ensemble of the Berlin Philharmonic and Ligeti’s Mysteries of the Macabre with the Ensemble Intercontemporain under Susanna Mälkki. Further she performed in the premiere of Rihm’s Drei Frauen at the Theater Basel (direction: Georges Delnon). Highlights of her repertoire also include works by Pierre Boulez, such as Le soleil des eaux, which she performed with Pablo Heras-Casado and Peter Eötvös; Pli selon pli, with Jonathan Nott and Thierry Fischer; and Le Visage Nuptial, with Cornelius Meister.

As part of the 40th anniversary celebrations of the Ensemble Intercontemporain under Matthias Pintscher in 2016, the Berlin-based singer performed songs by Anton Webern with phenomenal success. In September 2017 she returned to the Musikfest Berlin with Toshio Hosokawa’s Klage under Shiyeon Sung, having given her debut at the festival in 2015 with Schoenberg’s Die Jakobsleiter under Ingo Metzmacher. A further high point of her 2017/18 season was when she stepped in at short notice as a soloist in Mahler’s 4th Symphony with the Concertgebouw Orchestra under Daniele Gatti in Seoul.

Yeree Suh has a close relationship with Jos van Immerseel, who has worked with the singer as a conductor and accompanist – their Schubertiade performance as well as Carmina Burana has been released on CD. Her discography started in 2008 with her celebrated CD Musik der Hamburger Pfeffersäcke with the Elbipolis Barockorchester Hamburg. This was followed by recordings of works by composers included Purcell, Handel, Bach and Respighi as well as contemproary works by Judith Bingham and Michael Jarrell.

The season 2018/19 begins with a series of appearances at the Takefu International Music Festival in Japan in September. Later that month she will give another performance of Unsuk Chin’s Akrostichon – Wortspiel at the Opéra du Rhin as part of a staged concert with Ensemble Linea. She will return to baroque repertoire at the end of the year in a performance with the Budapest Festival Orchestra led by Midori Seiler. In spring 2019 she will appear with the Lucerne Symphony Orchestra under Michael Sanderling for performances of Johannes Brahms’ Ein Deutsches Requiem in Lucerne and Tongyeong, before a major premiere at the Musikfest Hamburg at the Elbphilharmonie: together with the Ensemble Resonanz under Peter Rundel and trombonist Mike Svoboda she will give the first performance of Beat Furrer’s Spazio Immergente III.

Yeree Suh studied at the Seoul National University, Universtät der Künste Berlin with Harald Stamm, in Leipzig with Regina Werner-Dietrich and at the Schola Cantorum Basiliensis with Gerd Türk.

This biography is to be reproduced without any changes, omissions or additions, unless expressly authorised by the artist management.

Saison 2018/19

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The solo event of the evening manifested itself in the "Et incarnatus est" of the mass, sung by the Korean soprano Yeree Suh. Her voice has a rich palette of expressions - between velvety-soft mezzo and whirring-metallic highs, coupled with a fine flair for soft dynamics.
VOLKSBLATT, Paul Stepanek, 13 October 2018 on Mozart's "Great Mass" in C minor KV 427

Soprano Yeree Suh sang the extreme vocal part with effortless purity, expertly accompanied by the Philharmonia soloists and conductor Pascal Rophé.
FINCANCIAL TIMES, Richard Fairman, 03 March 2017 on "Teile dich Nacht" by Isang Yun

The quality of soprano Yeree Suh's voice is perfect for this piece, her singing lucid and unambiguous: it is hard to imagine it could ever be sung better than this. It is a truly remarkable tribute to Boulez’s work.
THE WEE REVIEW, Robert Dow, 13 August 2016 on "Pli selon Pli" by Pierre Boulez

The opening sequence of ‘Cour d’amours’ is among the tenderest and most affecting on record, Yeree Suh’s soprano floating high notes with seraphic ease and a welcome absence of operatic rhetoric. The choral singing throughout combines precision with exuberance. For its palate-tingling revelations and suffusing musicality, this would now be my Carmina of first reference.
CLASSICAL-MUSIC.COM, Thierry Blain, 08 June 2015, on the CD "Carmina Burana", recorded with Anima Eterna Brugge under Jos van Immerseel

The blend between her pure, leaping soprano and the timbres of plucked, bowed, and struck instruments created worlds of exquisitely sensuous enchantment.
THE INDEPENDENT,  Michael Church, 23 March 2015 on "Pli selon Pli" by Pierre Boulez

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Concert Repertoire

BWV 19
BWV 21
BWV 39
BWV 47
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Opera Repertoire

L. van BEETHOVEN Fidelio Marzelline **
A. BOITO Mefistopfele Margherita *c
A. CAMPRA Orfeo nell' inferi Euridice, L'Ombre
G. DONIZETTI Don Pasquale Norina **
A. DRAGHI La Lira d'Orfeo Euridice, Lisida, Amor
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Contemporary Repertoire

DOMINICK ARGENTO Six Elizabethan songs (For High Voice and Piano)
SAMUEL BARBER Hermit Songs, Op. 29
GEORGE BENJAMIN A Mind of Winter (1981)
LUCIANO BERIO Sequenza III (1965)
JUDITH BINGHAM The shadow side of Joy Finzi (For Soprano and Piano)
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Media Centre

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Schubertiade: Du holde Kunst, ich danke dir

Yeree Suh, Thomas E. Bauer, Anima Eterna Brugge, Jos van Immerseel
alpha classics / outhere music (2015)


Respighi: Lauda per la Nativita del Signore

Yeree Suh, Rundfunkchor Berlin, Polyphonia Ensemble Berlin, Maris Sirmais, Nicolas Fink
Carus, 2015, 8310165

Orff_Carmina Burana

Orff: Carmina Burana

Yeree Suh, Thomas E. Bauer, Collegium Vocale Gent, Anima Eterna Brugge, Cantate Domino, Jos van Immerseel
ZigZag, 2014, 6014866

Tinoco_Round Time

Tinoco: Round Time

Yeree Suh, Orchestre de la Fondation Gulbenkian, David Alan Miller
Naxos, 2013, 3565302

Grammont Selection 6

Grammont Selection 6: Schweizer Uraufführungen aus dem Jahr 2012

Yeree Suh, Merel Quartett, Arditti Quartett, Ensemble Contrechamps, Swiss Chamber Soloists, Namascae Lemanic Modern Ensemble, Musikkollegium Winterthur, Collegium Novum Zürich, Ensemble Contemporain de l'HEMU, Basel Sinfonietta, Pascal Rophe, Jonathan Stockhammer, William Blank, Douglas Boyd, Mark Foster
MGB, 2013, 2888897


Bach: Kantaten BWV 54, 134, 168, 186

Yeree Suh, La Petite Bande, Sigiswald Kuijken
Accent, 2013, 2908917


Bach: Kantaten BWV 52, 60, 116, 140

Yeree Suh, La Petite Bande, Sigiswald Kuijken
Accent, 2012, 3108412


Bach: Osteroratorium BWV 249

Yeree Suh, La Petite Bande, Sigiswald Kuijken
Accent, 2011, 1145916


Landscapes, real and imagined: Chamber works by Judith Bingham

Yeree Suh, Chamber Domaine, Thomas Kemp
resonus, 2011, RES10102

Dido and Aeneas

Purcell: Dido and Aeneas

Yeree Suh (Belinda), La Nouvelle Ménestrandie & Cappella Mediterranea, Leonardo García Alarcón
Ambronay, 2010


Telemann/Händel: Dixit Dominus

Yeree Suh, Arsys Bourgogne, Harmonie Universelle, Pierre Cao
Eloquentia, 2009

Hamburger Pfeffersäcke

Musik der Hamburger Pfeffersäcke

Yeree Suh, Elbipolis Barockorchester Hamburg
Raumklang, 2008, 3531627

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