Fenlon doesn’t merely sing and play the piano during Crumb’s contemporary piece, which is fused with Walt Whitman’s poem When Lilacs Last in the Dooryard Bloom’d — she immerses herself fully in to the performance, losing herself for stretches at a time.
Times Colonist, Mike Devlin, 9 January 2020

A delicately portrayed Pamina (…) This young artist's vocal skills should take her anywhere she wants to go.
Opera Canada 2017