Charlotte Bray

Composer

contact

Katrin Gann

kg(at)karstenwitt.com

+49 30 214 594-239

Samuel Johnstone

sj(at)karstenwitt.com

+49 30 214 594-251

General Management

CR Dawkes

Dates

04.05. 19:30
St. Teresa's School

Charlotte Bray,  Germinate

Charlotte Bray, composition
Sitkovetsky Piano Trio, piano trio
Philharmonia Orchestra
Pierre-André Valade, conductor

Biography

The young British composer Charlotte Bray’s music is exhilarating, vivid, and richly expressive with lyrical intensity. She draws inspiration from her surroundings, including human encounters and political events. Poetry, visual art, and nature also serve as impulses for her creative work.

Charlotte Bray studied with Mark-Anthony Turnage at the Royal College of Music after taking composition classes with Joe Cutler at Birmingham College of Music, where she had initially enrolled as a cellist. She also learned her compositional craft in masterclasses with Oliver Knussen, Magnus Lindberg, and Augusta Read-Thomas, among others.

She now works with orchestras such as the London Symphony Orchestra, the London Philharmonic Orchestra and the Birmingham Contemporary Music Group, conductors such as Sir Mark Elder, Oliver Knussen, and Daniel Harding, and with soprano Claire Booth, baritone Roderick Williams, and the violist Lawrence Power. Her works have been performed at the BBC Proms and at festivals in Aldeburgh, Tanglewood, Aix-en-Provence, and Verbier.

For the BBC Symphony Orchestra, she composed two works in the 2015/16 season: Falling in the Fire for cello and orchestra, conducted by Sakari Oramo at the BBC Proms premiere with Guy Johnston as a soloist, and created as a personal response to the destruction of the ancient temples in Palmyra, Syria. Stone Dancer for Orchestra had its premiere at the Aldeburgh Festival under the baton of Oliver Knussen and was performed again last year with the BBC Scottish Symphony Orchestra and Geoffrey Patterson. At the Speed ​​of Stillness, her work commissioned by the BBC Proms for the Aldeburgh World Orchestra, had its Canadian premiere at the 2017 World New Music Days with the Vancouver Symphony Orchestra.

In May 2018, the London Sinfonietta premiered an ensemble work, and Ralf Ehlers and Lucas Fels of the Arditti Quartet premiered a new duo for viola and cello, followed in July by the solo piece In Black Light, composed for Tabea Zimmermann and commissioned by the Festival d'Aix-en-Provence. Together with the Philharmonia Orchestra, the Sitkovetsky Trio premieres a new Triple Concerto by Charlotte Bray in May 2019 at the Investec Festival. In the autumn of 2018, a CD with new chamber music compositions will be released, recorded by Huw Watkins (piano), Barbara Buntrock (violin), the Amaryllis String Quartet, and the Mariani Piano Quartet.

Charlotte Bray has been honoured and recognized with numerous scholarships and awards. She received the Royal Philharmonic Society Composition Prize (2010), the Lili Boulanger Memorial Fund Prize, and the Critics' Circle Award (both 2014). She has been a Composer-in-Residence at the Birmingham Contemporary Music Group, the Oxford Song Festival, the Hatfield House Chamber Music Festival, the MacDowell Colony, the Liguria Study Center, and Aldeburgh Music. In the winter semester 2016/17 she was guest professor at the Escola Superior de Musica de Catalunya in Barcelona. A debut CD with music by Charlotte Bray was released in 2014 under the title At the Speed ​​of Stillness on NMC records.

2018/19 season

This biography is to be reproduced without any changes, omissions or additions, unless expressly authorised by the artist management.

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Reviews

Its opening set out a chill aural landscape, with Bray’s attention to effects – tremolando, pizzicato and wood of bow on strings – making the ear focus on detail and the way sounds hovered in clear air. (…) Bray’s balancing of restraint with sharply rhythmic impetus had its own arresting character. (…) [T]his was a piece which stirred conscience and senses together. It will sit well in the piano quartet repertoire (…).
The Guardian, Rian Evans, 20/03/2017 on the world premiere of "Zustände"

The centrepiece was Charlotte Bray’s cello concerto, Falling in the Fire, a BBC commission world premiere with Guy Johnston as soloist. The bombing last year [2015] of ancient temples in Palmyra, Syria, was Bray’s starting point. A menacing belch of brass, dominated by trombones and tuba, launches the work with a jagged, rat-a-tat triplet fanfare out of which the solo cello emerges in lonely lament. Batterings of high woodwind, spiky and insistent, alternate with episodes of almost numb fragility. (…) Some of Bray’s delicate yet astringent chamber music was performed by the Albany Trio in a Proms Extra event. This British, Berlin-based composer, still in her early 30s, now has a growing catalogue and an assured and independent artistic voice.
The Guardian, Fiona Maddocks, 21/08/2016

Propelled by outrage at the atrocities visited upon Syria by Isis, Bray has responded with music that is defiantly exquisite as well as stark, for example, with the high-ringing tinnitus that follows a bomb explosion. Surging with energy, her colouristic writing was acutely felt by both the orchestra and brilliant soloist Guy Johnston.
The Independent, Steph Power, 16/08/2016 on the world premiere of "Falling in the Fire"

Scored for large orchestra, including a tuba and three percussion players, the work oscillates between images of a damaged outer world and a traumatised inner world. It opens with explosive force – agitated strings matched by sharp punctuation from brass and percussion – until the solo cello, played very eloquently here by Guy Johnston, emerges gradually from the aural chaos. What I found especially remarkable were the many instances of the composer’s brilliant ear for orchestration and her power to connect instantly with an audience. Three examples may suffice. After the dust settles in the opening section, the writing for wind mimics the sound of scores of frightened animals rushing headless in all directions. The repeated use of tremolando strings conveys a sense of flux and the loss of stability. And as the work draws to a close, a haunting quality is created by shimmering strings set against a sustained piccolo with an agitated cello line. Picasso was able to move millions with his representation of Guernica; modern music can give powerful expression to the anguish caused by inhumanity.
bachtrack.com, Alexander Hall, 15/08/2016

She may only have been composing in earnest for a decade but Charlotte Bray (b.1982) is now at the forefront of younger British composers. … powerful concertante writing of Caught in Treetops … beginning with a tensile cadenza which duly casts its aura over the respectively capricious and meditative movements. … Oneiroi finds the composer equally at home with the solo piano medium as fleeting motifs disperse then reassemble to yield music of unexpected emotional breadth. Conversely, At the Speed of Stillness unfolds over an expansive orchestral canvas … highly diverse textures outline an expressive progression left tantalisingly in abeyance at the close.
Gramophone Magazine, Richard Whitehouse, January 2015 on her debut CD "At the Speed of Stillness"

Charlotte Bray’s powerfully expectant At the Speed of Stillness (2012), conducted by Ms. Canellakis, managed the difficult feat of evoking ceaseless motion without feeling driven: It gave a sense of pulsating in place.”
The New York Times, Zachary Woolfe, 22/07/2014

... the composer had a feeling for setting words… skilfully told in digestible, darkly dappled, sometimes waltz-inflected music…
The Times, Geoff Brown, 07/08/2012 on "Making Arrangements"

… all the important Bs: Bach, Beethoven, Brahms, Britten, plus another: Charlotte Bray.
… Bray’s ten-minute dazzler for piano, violin, viola and cello. … my ears were busy with interlocked yearning phrases or rhythmic patterns both stabbing and chunky – material presented, inspected, the reconfigured with a bright imagination and, even better, a keen urge to communicate. It was all vivid and exhilarating…

The Times, Geoff Brown, 04/07/2011 on "Replay"

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Media Centre

Audio

Video

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Works

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Discography

CR CAvi

Oberon Celebrates Shakespeare

Mendelssohn: Piano Trio No. 2 · Bray: That Crazed Smile · Beethoven: Piano Trio No. 5 · Mendelssohn / Hosseini: A Midsummer Night's Dream
Oberon Trio
CAvi, 5378473, 2016

Airs, Blues and Dances

Airs, Blues and Dances

Works by Jonathan Dove, Helen Grime, Richard Rodney Bennett, Michael Tippett, John Tavener, Judith Weir, Charlotte Bray, Anthony Powers und Joseph Phibbs
James Turnbull, oboe; Libby Burgess, piano; Ensemble Perpetuo
Champs Hill Records, CHRCD099, 2016

Upheld by Stillness

Upheld by Stillness

Works by Philippe de Monte, William Byrd, Roxanna Panufnik, Francis Pott, Alexander L'Estrange, Owain Park, Charlotte Bray, William Byrd, Roderick Williams
ORA
Harmonia Mundi, HMW906102, 2016

Catch

Catch

Works by Robert Myers, Malte Giesen, Charlotte Bray, Thilo Schaller, Roderik de Man
Sirocco Saxophone Quartet
Encora, 8470253, 2015

At the Speed of Stillness

At the Speed of Stillness

Charlotte Bray: Fire Burning in Snow; Oneiroi, Replay; Yellow Leaves; Caught in Treetops
Claire Booth, soprano; Lucy Schaufer, mezzo-soprano; Alexandra Wood, violin; Andrew Matthews-Owen, piano;  Huw Watkins, piano; Birmingham Contemporary Music Group; Aldeburgh World Orchestra; Sir Mark Elder, conductor; Oliver Knussen, conductor
NMC Records, 8304740, 2014

Music of Memory

Music of Memory

Works by Nicholas Maw, Joseph Atkins, Peter Racine Fricker, Matthew Taylor, Bayan Northcott, Charlotte Bray, John McCabe
Antonis Hatzinikolaou, guitar
NMC Records, 3449551, 2013

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