Le Concert Olympique was founded in 2010 as the brainchild of Beethoven expert and conductor Jan Caeyers. Since then, it has struck a chord in the classical music world. Le Concert Olympique represents a unique contemporary experience of a timeless tradition with relevant and authentic performances specifically of masterpieces by Beethoven and his contemporaries. The orchestra has two residencies in Belgium, one in deSingel in Antwerp and one in Flagey in Brussels. As from 2012, it has been invited to acclaimed concert halls such as the Vienna Musikverein, the Concertgebouw Amsterdam and De Doelen in Rotterdam.
Le Concert Olympique is both a world-wide project and a world-class project. Its 50 players, who are meticulously screened and auditioned, are recruited internationally and converge several times a year to form a top-notch orchestra that works intensively with the world's best soloists on an exclusive production. Everyone shares the conductor’s enthusiasm: a love of music and the ambition to perform the Viennese classics at the highest levels. The festive character is emphasized by the fact that the musicians are dressed by famous designer Anna Heylen. This collaboration symbolizes the main mission of Le Concert Olympique: to combine the timeless tradition with a fresh and vivid contemporary experience.
The aim is as ambitious as it is simple: by 2020 (Beethoven's jubilee year) to be recognized internationally as THE Beethoven orchestra in terms of both, performance and experience. For the next coming seasons, not only the symphonies and concertos will be at the heart of the LOC's programming, but also lesser known works such as the big vocal works that will be performed together with the famous Arnold Schönberg Choir from Vienna.
The spirit is captured in the orchestra’s name, which evokes "Le Concert de la Société Olympique", the renowned Parisian concert organizer who commissioned six symphonies from Joseph Haydn in the 1780s. Haydn’s music, performed in the Palais-Royal, the birthplace of the progressive, pre-revolutionary social movement in France, signaled the birth of the modern classical symphony.
As from 2013 Le Concert Olympique is ‘Orchestra in residence’ at Leuven University and supported by the Flemish Community. It is sponsored by Ackermans & van Haaren, Elia, KBC and Telenet.
The conductor and musicologist Jan Caeyers lived, studied and worked in Vienna for many years. From 1993 to 1997, he was assistant to Claudio Abbado at the Gustav Mahler Youth Orchestra, where he also had the opportunity to work alongside Bernard Haitink and Pierre Boulez.
Until 2003, Jan Caeyers was Director of the Beethoven Academy and performed in many of Europe’s major concert venues, including the Musikverein and Konzerthaus in Vienna, the Mozarteum in Salzburg, the Concertgebouw in Amsterdam, the Cité de la Musique in Paris, Palais des Beaux-Arts in Brussels (Bozar) and the Auditorio Nacional in Madrid. As a freelance conductor he has worked at the Opera in Stuttgart, and with orchestras in Berlin, Paris, Madrid, Barcelona, Florence and Prague. He has also conducted such leading European choral ensembles as the Arnold Schoenberg Chor in Vienna and the Nederlands Kamerkoor.
Jan Caeyers has written his own in-depth views on Beethoven in a substantial volume which was published in Dutch in 2009. In 2012, it was translated into German by C.H. Beck as Beethoven. Der einsame Revolutionär. ´- and then into Hungarian. Further translations will include translations into English, Chinese and Arabic. Writing this book was an essential transitional stage for Caeyers towards founding his new orchestra, Le Concert Olympique, with whom he is able to deepen his studies and express his mature views on Beethoven and Viennese classical music.
The superbly documented and elegantly written biography has been met with great enthusiasm, and the original version is now already in its seventh edition. Since the book has become a bestseller in Germany – the home of Beethoven research – it is now considered a reference work on Beethoven worldwide based on new insights that have led to a paradigm shift in the perception of the famous composer.
Jan Caeyers has always combined his artistic career with the study of music resulting in a homogeneous project with Beethoven at its heart. His experience as a conductor has been an essential part of his academic approach as a professor at the University Leuven. Vice versa, setting up his own orchestra, Le Concert Olympique, has enabled him to convert into sound the well-founded insights he gained while writing his Beethoven biography.