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Maike Charlotte Fuchsmf@karstenwitt.com+49 30 214 594-220Kathrin Feldmann-Uhlkf@karstenwitt.com+49 30 214 594-241
General Management
In the summer of 2023, the Salzburg Festival will demonstrate its close affinity with the music of György Ligeti through the concert series Time with Ligeti. Tabea Zimmermann and Pierre-Laurent Aimard, who play a key role in shaping the series, talk about their own relationship with the composer.
Tabea Zimmermann is the new Artistic Partner of the Saint Paul Chamber Orchestra.
Congratulations to Tabea Zimmermann: She is on the longlist for the German Record Critics Award.
Tabea Zimmermann is one of the most beloved and renowned artists of our time. As winner of the international Ernst von Siemens Music Prize 2020, artist in residence of the Royal Concertgebouw Orchestra, of the Berliner Philharmoniker and, in the current season, of the Bavarian Radio Symphony Orchestra, Tabea Zimmermann is widely acknowledged for her unfailingly high standards and tireless enthusiasm for sharing her love of music with audiences. Fellow musicians and listeners alike value her charismatic personality and deep musical understanding. Her work with orchestras is also guided by the ideals of her experience as a chamber musician, where artistic integrity is paramount.
As a soloist, she regularly works with the most distinguished orchestras worldwide such as the Orchestre de Paris, the London Symphony Orchestra, the Israel Philharmonic Orchestra and the Czech Philharmonic Orchestra. In recent seasons, she has created residency programmes in Weimar, Luxembourg, Hamburg, with the Bamberg Symphony Orchestra, the Helsinki Philharmonic, the Frankfurt Museum Society and the Festival de Granada; she continues her close collaboration with Ensemble Resonanz, where she was artist-in-residence for two years. Since 2022, she has been the new Artistic Partner of the Saint Paul Chamber Orchestra.
In addition to her residency with the Bavarian Radio Symphony Orchestra, highlights of the 2022/2023 season include a tour with the Berliner Philharmoniker under Kirill Petrenko to Salzburg, Lucerne and the BBC Proms. In the chamber music, she will play concerts with students of the Kronberg Academy, duo recitals with Kirill Gerstein and trio concerts with Jörg Widmann and Dénes Várjon as well as at the Kammermusikwoche at Schloss Elmau, which she programmed.
Tabea Zimmermann has inspired numerous composers to write for the viola and introduced many new works into the standard concert and chamber music repertoire. In April 1994, she gave the highly successful world premiere of the Sonata for Solo Viola by György Ligeti, a work composed especially for her. The subsequent premieres of this work in London, New York, Paris, Jerusalem, Amsterdam, and Japan attracted great critical and public acclaim. In recent seasons, Tabea Zimmermann has premiered Recicanto for Viola and Orchestra by Heinz Holliger, the viola concerto Über die Linie IV by Wolfgang Rihm, Monh by George Lentz, Notte di Pasqua by Frank Michael Beyer, a double concerto by Bruno Mantovani with Antoine Tamestit, and Filz by Enno Poppe with Ensemble Resonanz. She played the premiere of Michael Jarrell’s Viola Concerto at Festival Musica Strasbourg 2017 with the Orchestre National des Pays de la Loire under Pascal Rophé; and subsequent performances with the Vienna Symphony under Ingo Metzmacher, the Orchestre de la Suisse Romande under Pascal Rophé and the Konzerthaus Orchestra Berlin under Mario Venzago. 2020 sees her premiering Wolfgang Rihm’s Stabat Mater together with Christian Gerhaher at the Musikfest Berlin and at musica viva, the Bavarian Radio’s concert series for contemporary music; 2022 Mauricio Sotelo’s Cantes antiguos del Flamenco at the Festival de Granada.
To mark Hindemith’s anniversary in 2013, Tabea Zimmermann released a highly acclaimed recording of the composer’s complete works for viola on myrios classics. Following the success of her recording of solo works by Reger and Bach with myrios classics in 2009 – for which she received an Echo Klassik prize as Instrumentalist of the Year – she has released three albums with pianists Kirill Gerstein and Thomas Hoppe. Tabea Zimmerman’s artistry is documented on over 50 CDs for labels such as Harmonia Mundi, EMI, Teldec, and Deutsche Grammophon. A live recording of her performance on Beethoven’s own viola at the Beethovenhaus Bonn, accompanied by Hartmut Höll, was released by Ars Musici. On the Harmonia Mundi label, the Arcanto Quartet released CDs of works by Bartók, Brahms, Ravel, Dutilleux, Debussy, Schubert and Mozart. In the year 2020, she released “Cantilena” with the pianist Javier Perianes on harmonia mundi and her second solo CD with works by J.S. Bach und György Kurtág on myrios, in the year 2021, she released works by Enno Poppe with Ensemble Resonanz on wergo as well as by Michael Jarrell, Brett Dean and J.S. Bach on BIS Records.
Tabea Zimmermann’s artistic work has been recognized with numerous awards both in Germany and abroad, most recently in 2020 with the international Ernst von Siemens Music Prize. In addition, she was awarded the Federal Cross of Merit, Frankfurter Musikpreis, Hessischer Kulturpreis, Rheingau Musikpreis, International Prize Accademia Musicale Chigiana in Sienna, the Paul-Hindemith-Prize from the city of Hanau, and named Artist of the Year by the ICMA International Classical Music Awards 2017. Since 2013, Tabea Zimmermann has been a foundation board member of the Hindemith Foundation. Under her aegis as chairman of the board of the Beethoven-Haus Bonn (2013-2020), in 2020 the Beethoven-Woche Bonn culminated in an extended three-week festival featuring nearly all of the composer’s chamber music.
Tabea Zimmermann began learning the viola at the age of three and two years later began playing the piano. She studied with Ulrich Koch at the Musikhochschule Freiburg and subsequently with Sándor Végh at the Mozarteum Salzburg. Following her studies, she received several awards at international competitions, amongst them first prizes at the 1982 Geneva International Competition and the 1984 Budapest International Competition. As a result of winning the 1983 Maurice Vieux Competition in Paris, she received a viola by the contemporary maker Etienne Vatelot. Since 2019, she has been playing an instrument built for her by Patrick Robin. She regularly gave concerts together with her husband David Shallon from 1987 until his death in 2000. She lives in Berlin and has three young adult children. Tabea Zimmermann has held teaching posts at the Musikhochschule Saarbrücken and Hochschule für Musik Frankfurt. Since October 2002, she has been a professor at the Hochschule für Musik Hanns Eisler in Berlin.
2022/2023 season
This biography is to be reproduced without any changes, omissions or additions, unless expressly authorised by the artist management.
"Yet, when it comes to booking soloists to appear with major orchestras, seldom is there a violist among them. One of the lone exceptions is Germany's Tabea Zimmermann, who might just be the world's most widely respected violist. (…) Zimmermann is what you'd call a musician's musician."
Star Tribune, Rob Hubbard, 11 March 2023 - Tabea Zimmermann as artistic partner of the Saint Paul Chamber Orchestra
"Tabea Zimmermann is a narrator whom one follows through all the wild virtuosities just as spellbound as into the almost bitter, deep black resignation at the end. What the soloist conjured out of the sonority of the viola, what she developed in dynamic richness of contrast, how she never let up in the pressing intensity of the playing out in contact with the orchestra - it was so impressive that it took a moment of applause for the spell to release liberatingly in ovations."
Süddeutsche Zeitung, Harald Eggebrecht, 16.12.2022 - on William Walton’s Viola concert with the BR-Symphony Orchestra under Iván Fischer
“With an emphasis on zest and internalized power, the great solo violist Tabea Zimmermann evoked the wild adventures of Harold by Lord Byron.”
Süddeutsche Zeitung, 19/9/19
“The sound of her viola is so intense and sensual that you, as a listener, are almost saturated with it. Unconsciously, the whole body seems to absorb the music. When Zimmermann plays, one also hears with the stomach, the toes, and the hair.”
Hannoversche Allgemeine Zeitung, Stefan Arndt, 2/6/18
William Walton: Violakonzert / Tabea Zimmermann / Iván Fischer / BRSO
Hindemith: Der Schwanendreher / Zimmermann · Bychkov · Berliner Philharmoniker
Daniel Sepec; Tabea Zimmermann; Jean-Guihen Queyras - Beethoven String Trios
Tabea Zimmermann - Les Siècles - François-Xavier Roth
Rezital - Tabea Zimmermann - Javier Perianes
Bartók: Viola Concerto / Zimmermann · Bychkov · Berliner Philharmoniker
Tabea Zimmermann, Jean-Guihen Queyras. Gürzenich-Orchester Köln, Francois-Xavier Roth
Harmonia mundi, 2021, HMM902370
Tabea Zimmermann;myrios classics, 2020, MYR026
Tabea Zimmermann, Javier Perianes;Harmonia Mundi, 2020, HMM902648
Tabea Zimmermann, François-Xavier Roth, Les Siècles;Harmonia Mundi, 2019, HMM902634
Tabea Zimmermann, Jörg Widmann, Dénes Vàrjon;myrios classics, 2017, MYR020